I just donated to Michael Kelly’s Apparitions 2 on Indiegogo.
Much like with my Kickstarter addiction, I am quite fond of this, the Canadian equivalent, and am hopeful that my streak of endorsing winners continues. I had a chance to interview Michael a while back, in fact, it was my first ever story for Prairie Books Now (it was also a lot of fun). I finally had a chance to Meet Michael in November during the 2012 World Fantasy Con. We also shared a table of contents in Tesseracts 16, and I can tell you, Michael is one hell of an author–and one hell of an editor.
Chilling Tales, also edited by Michael, was in my mind the strongest Canadian anthology of speculative fiction to come be released in 2011, and any number of its stories deserved a place on a year’s best list. If you’re into horror and crowdsourcing, Michael Kelly’s new anthology is definitely worth funding.
This interview originally appeared in the Spring 2011 issue of Prairie books NOW.
Chilling Tales Evil Did I Dwell; Lewd Did I Live
Michael Kelly, Editor
Edge Science Fiction and Fantasy
$14.95 pb, 224 pages
Underneath that cool Canadian reserve, a dark heart beats, believes Michael Kelly, editor of Chilling Tales: Evil Did I Dwell; Lewd I Did Live.
Chilling Tales features stories from Canadian horror fiction mainstays Brett Alexander Savory, Sandra Kasturi, and Nancy Kilpatrick, as well as some of the nation’s brightest (or should that be darkest) up and comers such as Gemma Files. Robert J. Wiersema, best known for his literary fiction, leads off the collection with a honky-tonk infused ghost story.
Kelly sensed a distinctly Canadian worldview, a “tangible loneliness” and “disquieting solitude” permeating the stories of his collection. But he feels Canadian writers are “merely doing what comes naturally—in this vast, sprawling land of ice and prairies, of wind and rock and water, of major urban centres encroaching on the barrens with spreading tendrils—exploring the other, that vastness.”
Anthologies such as Chilling Tales have been something of a rarity, although Don Hutchinson’s Northern Frights series left “an indelible impression” upon Kelly.
“There’s no easy answer,” he says, of the dearth of all-Canadian horror collections. “Part of it, I surmise, might be that Canadian genre writing is somewhat marginalized by the bigger publishing houses.”
It’s no surprise to Kelly that the two most recent such volumes were published by Chilling Tales’s publisher, Brian Hades at Edge Science Fiction and Fantasy. “It is the smaller houses with an indie spirit that will take a chance on a project like this.”
Kelly felt it was time to showcase Canada’s dark heart. There was no open call for submissions; instead he went hunting for authors that “shared that strange dark worldview” he was conjuring.
“I also mentioned that they could recommend some authors to me, as well. It was a bit of word-of-mouth and also me soliciting authors I admired.”
A writer himself, the Pickering, Ontario-based, Shirley Jackson Award-nominated Kelly enjoyed the challenge of editing the collection.
“There’s a certain order to the stories, a flow, whether you’re moving from something short and shocking, to something literary and poetic, to something prosaic. It’s a balancing act,” he says. “When I’m writing fiction, I just want to tell a story. I’m writing for me, though, no one else. When I’m editing a commercial anthology, I’m cognizant of the reader.”
The result? An eminently readable, page turning collection, tales that leap from the page, burrowing into you. It is as if the authors are kids around a campfire, each trying to one up the other with the imaginatively macabre. From ghosts, to issues of faith, to the very unusual skin condition in David Nickle’s “Looker”, Chilling Tales has a velocity that keeps its reader huddled up for just one more story.
“I’m hoping this first volume will act as a benchmark for future volumes,” says Kelly. “I wanted to show that Canadian writers can be as literate, entertaining, edifying, and as scary as their contemporaries. Of course, I already knew that. Now, everyone will know.”