My northern Manitoba colleague, Lauren Carter, author of Swarm, tagged me recently and asked me to take part in a blog tour happening in the literary community across Canada. The gist of it is that I’m assigned four questions and then invite two other writers to join in. Here goes:
What am I working on?
I have a number of projects on the go right now, most notably the third book in the Thunder Road Trilogy, which you should see in Fall 2015. I’m also polishing up some short stories set in the world of the trilogy to keep you all occupied until next year.
In addition to my Norse Myth-influenced work, I’m editing the first book in an entirely new urban fantasy series, trying my hand at comic book scripting, and co-hosting and organizing the Winnipeg arm of the Chiaroscuro Reading Series with fellow author Samantha Beiko.
How does my work differ from other works in its genre?
Since my series is influenced by Norse myth, I’m not retelling the big ending of that myth cycle–Ragnarök, the Fate of the Gods–in the Thunder Road universe, that fate has already been dealt. In the Marvel Comics take on Thor, Ragnarök has happened at least three times, but what struck me as a myth fan was how interesting the stories that came after were to me. When Ragnarök is on the table, that is the only place the story can go. It’s inevitable. Having that great battle in the past also allowed me to avoid “ruining” any stories people might have loved from the sagas. They are there. They happened. My only caveat to this is that in my books, Loki survived his prophesied death (because if anyone could weasel his way out of his fate, it would be him).
Another notable difference is probably my use of Manitoba as a setting–not a place most people think of when they think of magic. I’ve read very little fantasy that uses Western Canada (and Manitoba in particular) as a setting, and I think there’s a lot to left to be said in this part of Canada.
Why do I write what I do?
I love juxtaposing the magical and the mundane and the Urban Fantasy genre is great at that. I grew up with old Tarzan and Lone Ranger stories, so adventure was set in my bones from an early age. When I went to listening to stories to reading them, comic books were my gateway (and I still read them) and I went from those to Lord of the Rings and Dungeons & Dragons and other fantasies. I can’t imagine wanting to write anything else. Fantasy allows me to write anything, and unlike my more realistically inclined writing colleagues, I get to have dragons and robots too.
How does my writing process work?
Barely. Ba dum bump.
I am what is usually referred to as a “pantser” (as in I write by the seat of my pants). No plotting, no outlining. For me, writing is a lot like driving at night: the headlights allow me to see just enough to keep going, even when I can’t see my destination.
I’m a huge music fan (all of the chapter titles in Thunder Road and Tombstone Blues are taken from songs) and I also write to music, so it has seeped deeper into my process. One of the first things I do when I’m starting a new story is make a large playlist of songs that feel like how I want the story to feel. As I write and listen, I winnow them down to about twenty or so that form my book’s playlist. That soundtrack also happens to be an emotional outline of how I want the book to feel.
There are exceptions to this. The third book in the trilogy turned out to be something I couldn’t “pants”. I had built up the architecture of the series, and wrote certain scenes as they came to me while drafting the first two books. Because I wasn’t entering the world fresh, by necessity it required a bit more of a structured approach to writing than I am accustomed to. Not a bad thing, just not usually my thing.