Prix Aurora Award Nominations

Nominations opened for the Prix Aurora Awards (and a whole mess of other awards too–though it’s the Auroras that are most likely to impact ’round Thunder Road Way) while I had my head down trying to finish my latest novel.

Instruction for how to nominate a story are available on the Canadian Science Fiction & Fantasy Association’s site. But why should you vote? Ottawa author Matt Moore wrote an excellent blog post on why we should participate in the Aurora Awards. The more people participate, and the more they care, the more these awards will matter.

If you’re so inclined, here’s what I did in 2015:

  • Too Far Gone, Ravenstone Books, October 2015, eligible in the Novel category.
  • The Last Good Look, The Exile Book of New Canadian Noir, March 2015, eligible in the Short Fiction category.
  • When the Gods Send You Rats, Shared World Volume One, October 2015, eligible in the Short Fiction category.
  • Co-Chair/Artistic Director ChiSeries Winnipeg with Samantha Beiko: “Fan Organizational” category.

Eligibility Lists are here:

I also want to mention the people that helped me create in 2015:

In addition to being my co-conspirator for the Winnipeg arm of ChiSeries, Samantha Beiko steps up every single time I give her a weird ass request, such as: I want to make story cards, or can you draw me a giant, evil cat? Even I want to put a new book together less than a month before Comic Con.

Sam did this great picture of Ted Callan for my story, “New Year’s Eve”

Ted New Year's Eve by SM Beiko

She also illustrated this super fun (and super creepy) Jólakötturinn, the Christmas Cat.

Christmas Cat by Samantha Beiko

and she edited and laid out Shared World.

Sam is awesomesauce. Check out her stuff, and her dream book store, Valkyrie Books.

GMB Chomichuk and James Gillespie also wrote a short story for Shared World. “Kaa-Rokaan.”

SharedWorldposter1

In addtion to being a great writer, Gregory is an amazing artist. His Infinitum was a wonderful, weird read. Time travel noir!

infinitum

He also illustrated Underworld, written by another Winnipeg comics mainstay, Lovern Kindzierski. Greek mythology in modern Winnipeg.

Underworld-Cover

Silvia Moreno-Garcia wrote my favourite book of 2015, her novel debut, Signal to Noise. Silvia’s knows her Lovecraft, and everyone involved in Shared World was chuffed when she agreed to write us a kickass introduction.

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Michael Matheson was my editor for Too Far Gone. Michael was new to editing the series, anddid a bang up job. I’d love to have a chance to work with Michael again. In the meantime, checkout this anthology published by ChiZine Publications:

Boy Eating

David Jón Fuller was my copy editor for Too Far Gone (and the entire Thunder Road Trilogy) and kept all my umlauts in the right spots. David is also a damn fine short story writer.

His story “Caged” appeared in Guns and Romances, and “In Open Air” appeared in Accessing the Future.

Scott Henderson did this gorgeous piece inspired by Too Far Gone.

TOOFARGONE

Scott also illustrated Richard Van Camp’s graphic novel, A Blanket of Butterflies.

Blanket of Butterflies

Claude Lalumière and David Nickle were my editors for The Exile Book of New Canadian Noir and bought my story, “The Last Good Look.”

New Canadian Noir Cover

This is a killer anthology. I enjoyed reading every story in it.

Sandra Wickham and I are currently writing a novel together. She’s also sort of taken on the Herculean task of getting me back in shape. Her book Health and Fitness for Creative People is a great start.

HealthandFitnessCoverblurb

Kevin Madison has done tons of Thunder Road illustrations for me over the course of the series’ life. Here’s one of his most recent:

Ted with Ravens

Kevin also wrote a comic last year, which was a lot of fun. Different artists illustrating various points in a superhero’s career.

american Eagle2

Here’s some other stuff I really dug throughout 2015, heavily weighted towards comics, because that seemed to be the majority of my reading lately.

I helped back Canadian Corps on Kickstarter. Andrew Lorenz’s writing definitely hit me right in the Alpha Flight feels.

CC1 Front-Exterior-Cover

Donovan Yaciuk did the colours for Canadian Corps, but he also writes this sweet indie comic:

Spacepig Hamadeus

A space-faring pig. ‘Nuff said.

Justin Shauf is the artist on Spacepig Hamadeus and Canadian Corps. He also drew me this SWEET Dr. Fate.

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Rat Queens is written by Kurtis Wiebe, and its one of the highlights of my comic pull list ever time an issue drops.

Rat Queens

I adore Fiona Staples’ art on Saga. Another book that’s never disappointed me.

Saga Staples

Jim Zub’s Wayward is another great fantasy comic.

Wayward01A-585x900-web

No matter how much I read, it still seems like it’s never enough! I feel like I’ve got a lot of cramming to do before I put in my nominations. What have you created or read that I should check out before nominations close?

Write on!

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Behind the Scenes of The Last Good Look

I’ve liked crime fiction almost as long as I’ve liked fantasy. So I’m really chuffed that my story “The Last Good Look” was selected to be included in The Exile Book of New Canadian Noir.

New Canadian Noir Cover

One of my writing mentors was fellow Ravenstone author, Michael Van Rooy, who passed away far too soon. You should do yourself a favour and check out his Monty Haaviko crime novels (An Ordinary Decent Criminal, Your Friendly Neighbourhood Criminal, A Criminal to Remember) they are all great reads.

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(Photo Credit: Janek Lowe for the Winnipeg Free Press)

Michael has always been a huge inspiration to me, but was especially when it came to “The Last Good Look”.

Earlier in my writing career I was selected to be the Emerging Writer-in-Residence at the now sadly defunct Aqua Books. Michael had also been one of the Writers-in-Residence there. While I was writing in my office, which had been his office, and trying to finish up the as-yet-unsold Tombstone Blues, I had an idea for a rough-and-tumble troll tough guy.

And so Neelak (Neal to his friends) Trollborn, Wizard of Runes was born. I wrote the first four pages of his story and before long, Thunder Road and Tombstone Blues had sold to Ravenstone, and so I had to set Neal aside.

But I never forgot him.

When Claude Lalumière and David Nickle put out the call for submissions I was so excited to have the reason to figure out the rest of Neal’s debut story. He surprised me a lot, Neal did.

Every good noir also needs its femme fatale. Neal found his in one of my coworkers at the time: artist, photographer, and model, Holly Halftone.

I’ve rarely so blatently stolen someone’s appearance, so I asked Holly if she was okay being written into the story and thankfully she said yes. I had used “Halftone” as a temporary name in the text while I was drafting, thinking I’d eventually come up with something I liked better, but nothing else worked as well, and so Holly got to be a double inspiration on that particular dangerous lady.

Holly Halftone by Alexa Lachuta photography

(Photo Credit: Alexa Lachuta)

Pretty stoked to have this one in print. I hope you enjoy it.

Fellow New Canadian Noir contributor, Corey Redekop, interviewed Keith Cadieux and I about our stories (as well as a bunch of the other authors) over on his blog.

It’s still a long way off, but the Manitoba boys in the anthology, me, Keith and Corey will be doing readings at McNally Robinson Booksellers May 27th. I hope I’ll see you there.

Write on!

Gears & Growls and New Canadian Noir Covers

Some news about a couple of anthologies I’ve contributed to:

It’s been a long time coming, but Beast Within 4: Gears & Growls releases soon, Halloween, to be exact, which I love. This was my first steampunk story and my first anthology invite (thank you, Jennifer Brozek!) so I’m pretty excited to see “A Taste of the Other Side” in print.

Here’s the cover!

Gears & Growls

Full cover including the copy.

Gears & Growls full cover

Jenna Fowler’s wonderful illustration of my protagonist! See more of Jenna’s work here.

jennafowlertasteoftheotherside

And while this probably isn’t the final cover, here’s a teaser to give you an idea of the feel that The Exile Book of New Canadian Noir is going for. This anthology is edited by Claude Lalumière and David Nickle and includes my story “The Last Good Look.”

New Canadian Noir Teaser Cover

I’m very excited to get to share a TOC with a bunch of cool folks like Colleen Anderson, Keith Cadieux, Silvia Moreno-Garcia, Corey RedekopAlex C. Renwick, and Kelly Robson.

Write on!

Chilling Tales And Apparitions Too…err 2

I just donated to Michael Kelly’s Apparitions 2 on Indiegogo.

Much like with my Kickstarter addiction, I am quite fond of this, the Canadian equivalent, and am hopeful that my streak of endorsing winners continues. I had a chance to interview Michael a while back, in fact, it was my first ever story for Prairie Books Now (it was also a lot of fun). I finally had a chance to Meet Michael in November during the 2012 World Fantasy Con. We also shared a table of contents in Tesseracts 16, and I can tell you, Michael is one hell of an author–and one hell of an editor.

Chilling Tales, also edited by Michael, was in my mind the strongest Canadian anthology of speculative fiction to come be released in 2011, and any number of its stories deserved a place on a year’s best list. If you’re into horror and crowdsourcing, Michael Kelly’s new anthology is definitely worth funding.

This interview originally appeared in the Spring 2011 issue of Prairie books NOW.

chilling-tales

Chilling Tales Evil Did I Dwell; Lewd Did I Live

Michael Kelly, Editor

Edge Science Fiction and Fantasy

$14.95 pb, 224 pages

ISBN: 978-1-894063-52-4

Underneath that cool Canadian reserve, a dark heart beats, believes Michael Kelly, editor of Chilling Tales: Evil Did I Dwell; Lewd I Did Live.

Chilling Tales features stories from Canadian horror fiction mainstays Brett Alexander Savory, Sandra Kasturi, and Nancy Kilpatrick, as well as some of the nation’s brightest (or should that be darkest) up and comers such as Gemma Files. Robert J. Wiersema, best known for his literary fiction, leads off the collection with a honky-tonk infused ghost story.

Kelly sensed a distinctly Canadian worldview, a “tangible loneliness” and “disquieting solitude” permeating the stories of his collection. But he feels Canadian writers are “merely doing what comes naturally—in this vast, sprawling land of ice and prairies, of wind and rock and water, of major urban centres encroaching on the barrens with spreading tendrils—exploring the other, that vastness.”

Anthologies such as Chilling Tales have been something of a rarity, although Don Hutchinson’s Northern Frights series left “an indelible impression” upon Kelly.

“There’s no easy answer,” he says, of the dearth of all-Canadian horror collections. “Part of it, I surmise, might be that Canadian genre writing is somewhat marginalized by the bigger publishing houses.”

It’s no surprise to Kelly that the two most recent such volumes were published by Chilling Tales’s publisher, Brian Hades at Edge Science Fiction and Fantasy. “It is the smaller houses with an indie spirit that will take a chance on a project like this.”

Kelly felt it was time to showcase Canada’s dark heart. There was no open call for submissions; instead he went hunting for authors that “shared that strange dark worldview” he was conjuring.

“I also mentioned that they could recommend some authors to me, as well. It was a bit of word-of-mouth and also me soliciting authors I admired.”

A writer himself, the Pickering, Ontario-based, Shirley Jackson Award-nominated Kelly enjoyed the challenge of editing the collection.

“There’s a certain order to the stories, a flow, whether you’re moving from something short and shocking, to something literary and poetic, to something prosaic. It’s a balancing act,” he says. “When I’m writing fiction, I just want to tell a story. I’m writing for me, though, no one else. When I’m editing a commercial anthology, I’m cognizant of the reader.”

The result? An eminently readable, page turning collection, tales that leap from the page, burrowing into you. It is as if the authors are kids around a campfire, each trying to one up the other with the imaginatively macabre. From ghosts, to issues of faith, to the very unusual skin condition in David Nickle’s “Looker”, Chilling Tales has a velocity that keeps its reader huddled up for just one more story.

“I’m hoping this first volume will act as a benchmark for future volumes,” says Kelly. “I wanted to show that Canadian writers can be as literate, entertaining, edifying, and as scary as their contemporaries. Of course, I already knew that. Now, everyone will know.”