Awards Eligible Works from 2018

Here’s what I did in 2018. It was a pretty good year for publications, a new novel kicking off a brand new series, and four short stories (a personal best!). If you’re planning on voting in any of the major SF&F awards, such as the Hugos, Nebulas, or Auroras, and you’d like to read anything I’ve written, let me know (@chadwickginther on Twitter, or justonewick [at] gmail.com), and I’ll make sure you have a copy of any of my stories you want to read, or an excerpt of Graveyard Mind.

Novels:

  • Graveyard Mind (ChiZine Publications). I hope you’ve had a chance to read it, I think this book is my best work to date. Please also think of Erik Mohr who did my kick ass cover, and Samantha Beiko, my editor, who honed this book into the best shape it could have.

Short Stories:

  • All and Nothing,” Abyss and Apex, April 2018
  • “Midnight Man versus Frankie Flame,” Fire: Elemental Anthologies #1, Tyche Books, Rhonda Parrish, editor, August 2018
  • “Eating of the Tree,” Parallel Prairies, Adam Petrash and Darren Ridgley, editors, October 2018
  • “None of Your Flesh and Blood,” Over the Rainbow: Folk and Fairy Tales from the Margins, Exile Editions, Derek Newman-Stille, editor,  December 2018

I’m proud of all of these stories, but I think “All and Nothing” is my strongest work among them, and hey, you can read it online, so please check it out.

If you’re a comic reader, I also self-published Midnight Man Magazine #1 which includes the following short comics I wrote:

  • Midnight Man versus The Ghoul Gourmet (Art by Justin Shauf)
  • Midnight Man versus Corpse King (Art by GMB Chomichuk)

Cover art by Justin Shauf; colours by Donovan Yaciuk.

Thanks, and happy reading!

 

 

 

 

Prairie Comics Festival

I’m exhibiting at Prairie Comics Festival this weekend! Prairie Comics Festival really snuck up on me this year, but I can’t wait to hang out with some of the amazing local comics talent that Winnipeg has to offer.

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I’ll have lots of copies of Mythfits, the comic Samantha Beiko and I created, limited copies of Spacepig Hamadeus and the Captive Planet featuring a story by me and Nyco Rudolph, and of course, the Thunder Road trilogy will be represented as well.

Hope to see you there!

Central Canada Comic Con This Weekend!

C4 is just around the corner!

I’ll be tabling with Clare Marshall again which should be a blast. We had a lot of fun being side by side at Sask Expo last month.

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(Here we are so you know who to look for! Disclaimer: Authors may not appear exactly as shown)

We went halfsies on a booth instead of getting side-by-side tables, so set up might be a bit different than I’m used to. Samantha Beiko will be hanging around a bunch too, and lucky us, we’re right by GMB Chomichuk and Nyco Rudolph, so that’s awesome!

You can find us at Booth A903. Do stop by and say hello!

I’m debuting four (FOUR!) new things at C4.

First up:

Mythfits!

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The comic that Samantha and I created together. It’s been a long time coming for the first issue, and Sam did wonderful work on the art. This book had its genesis at C4 a couple years ago, so I’m glad this’ll be it’s first foray out into the public. Make sure you ask Sam for a sketch!

Spacepig Hamadeus and the Captive Planet!

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I’m the writer of one of four stories set in Donovan Yaciuk’s Spacepig universe. Nyco Rudolph did the art, and man, it looks fucking amazing. I can’t wait to see the rest of the stories. I’m going to try and have some of these on my table, but your best bet is to track down Donovan at Table A308 at C4. I will happy sign any copies you bring my way.

Shared World 2!

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GMB Chomichuk and James Gillespie and I were crazy enough to try and do another last minute book before C4, just like last year, only this year we brought Jonathan Ball along for the ride. My story takes place in Khyber, the city I’ve explored so far in “When the Gods Send You Rats” (Shared World) and “First They Came for the Pigs” (Fungi). Shared World 2 has cover and interior art by GMB Chomichuk, with an introduction by our editor, Samantha Beiko. As with volume one, this is a limit print run, there’s billions of humans but there will only ever be 100 copies of Shared World 2, so come to C4 and make sure you get yours!

Those Who Make Us!

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Those Who Make Us contains a brand new Thunder Road ‘verse story, “A Door in the Rock” and heads back to Flin Flon where a young dwarf woman must clean up some of the mess that Ted Callan left behind him in Thunder Road (I could probably write an entire book of short stories of other characters cleaning up after Ted). There’s lots of other great stories in this anthology, and I’m super-chuffed to be included.

I’ll also have copies of my novels (of course) and I’m bringing a limited number of copies of most of my other magazine and anthology appearances if you’ve missed a story.

See you in Artist’s Alley!

Write on!

 

Prix Aurora Award Nominations

Nominations opened for the Prix Aurora Awards (and a whole mess of other awards too–though it’s the Auroras that are most likely to impact ’round Thunder Road Way) while I had my head down trying to finish my latest novel.

Instruction for how to nominate a story are available on the Canadian Science Fiction & Fantasy Association’s site. But why should you vote? Ottawa author Matt Moore wrote an excellent blog post on why we should participate in the Aurora Awards. The more people participate, and the more they care, the more these awards will matter.

If you’re so inclined, here’s what I did in 2015:

  • Too Far Gone, Ravenstone Books, October 2015, eligible in the Novel category.
  • The Last Good Look, The Exile Book of New Canadian Noir, March 2015, eligible in the Short Fiction category.
  • When the Gods Send You Rats, Shared World Volume One, October 2015, eligible in the Short Fiction category.
  • Co-Chair/Artistic Director ChiSeries Winnipeg with Samantha Beiko: “Fan Organizational” category.

Eligibility Lists are here:

I also want to mention the people that helped me create in 2015:

In addition to being my co-conspirator for the Winnipeg arm of ChiSeries, Samantha Beiko steps up every single time I give her a weird ass request, such as: I want to make story cards, or can you draw me a giant, evil cat? Even I want to put a new book together less than a month before Comic Con.

Sam did this great picture of Ted Callan for my story, “New Year’s Eve”

Ted New Year's Eve by SM Beiko

She also illustrated this super fun (and super creepy) Jólakötturinn, the Christmas Cat.

Christmas Cat by Samantha Beiko

and she edited and laid out Shared World.

Sam is awesomesauce. Check out her stuff, and her dream book store, Valkyrie Books.

GMB Chomichuk and James Gillespie also wrote a short story for Shared World. “Kaa-Rokaan.”

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In addtion to being a great writer, Gregory is an amazing artist. His Infinitum was a wonderful, weird read. Time travel noir!

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He also illustrated Underworld, written by another Winnipeg comics mainstay, Lovern Kindzierski. Greek mythology in modern Winnipeg.

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Silvia Moreno-Garcia wrote my favourite book of 2015, her novel debut, Signal to Noise. Silvia’s knows her Lovecraft, and everyone involved in Shared World was chuffed when she agreed to write us a kickass introduction.

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Michael Matheson was my editor for Too Far Gone. Michael was new to editing the series, anddid a bang up job. I’d love to have a chance to work with Michael again. In the meantime, checkout this anthology published by ChiZine Publications:

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David Jón Fuller was my copy editor for Too Far Gone (and the entire Thunder Road Trilogy) and kept all my umlauts in the right spots. David is also a damn fine short story writer.

His story “Caged” appeared in Guns and Romances, and “In Open Air” appeared in Accessing the Future.

Scott Henderson did this gorgeous piece inspired by Too Far Gone.

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Scott also illustrated Richard Van Camp’s graphic novel, A Blanket of Butterflies.

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Claude Lalumière and David Nickle were my editors for The Exile Book of New Canadian Noir and bought my story, “The Last Good Look.”

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This is a killer anthology. I enjoyed reading every story in it.

Sandra Wickham and I are currently writing a novel together. She’s also sort of taken on the Herculean task of getting me back in shape. Her book Health and Fitness for Creative People is a great start.

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Kevin Madison has done tons of Thunder Road illustrations for me over the course of the series’ life. Here’s one of his most recent:

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Kevin also wrote a comic last year, which was a lot of fun. Different artists illustrating various points in a superhero’s career.

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Here’s some other stuff I really dug throughout 2015, heavily weighted towards comics, because that seemed to be the majority of my reading lately.

I helped back Canadian Corps on Kickstarter. Andrew Lorenz’s writing definitely hit me right in the Alpha Flight feels.

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Donovan Yaciuk did the colours for Canadian Corps, but he also writes this sweet indie comic:

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A space-faring pig. ‘Nuff said.

Justin Shauf is the artist on Spacepig Hamadeus and Canadian Corps. He also drew me this SWEET Dr. Fate.

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Rat Queens is written by Kurtis Wiebe, and its one of the highlights of my comic pull list ever time an issue drops.

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I adore Fiona Staples’ art on Saga. Another book that’s never disappointed me.

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Jim Zub’s Wayward is another great fantasy comic.

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No matter how much I read, it still seems like it’s never enough! I feel like I’ve got a lot of cramming to do before I put in my nominations. What have you created or read that I should check out before nominations close?

Write on!

True North Strong And Free: The Canadian Corps, An Interview With Andrew Lorenz

I love me a good Kickstarter campaign and the Canadian Corps is one I’ve been following with interest.

I’ve been reading comics as long as I’ve been reading, and have had a soft spot for another group of Canadian heroes named Alpha Flight for a lot of that time. Which meant I am stoked to see what Canadian Corps does with our national archetypes.

Big thanks to Andrew Lorenz, writer of Canadian Corps for agreeing to answer a few questions.

CG: What’s the first comic you remember buying?

AL: The first comic book I remember buying is Web of Spider-Man #4. Picked it up from the campground shop at White Lake in the Whiteshell. I recall it very clearly because I had to make a choice between that or a Batman/Superman Brave and the Bold issue. Spider-Man was always my first choice back then because of the 60s cartoon I used to watch reruns of on TV as a kid. Superman was runner-up.

CG: When did you decide you wanted to make comics?

AL: I think pretty much anyone who’s ever read comics has at one point thought about making them. I remember coming up with stories when I was in elementary school and writing some short stories in junior high that were comic book-like. For so long though it never seemed a viable option- you really only had DC and Marvel until the last 15 years and getting into those companies pretty much required knowing someone or living where they were located.

The Internet changed all that.

Suddenly you were able to talk to other creators from all over the world. You were able to find different avenues to showcase and sell and distribute your work. You could self-publish. That was something I had never even considered until I saw the work done by people like A.P Fuchs, a local writer whose Axiom-man books were a big influence on me. As was Charlie McElvy’s WatchGuard Sourcebook- in him I saw another creator who’d come up with a bunch of characters and stories that finally took the step and did something with them.

But really it was running into some super supportive co-workers when I’d picked up a part time gas jockey job to help out the manager (who’s a friend of mine) that needed some reliable help and a chance at some easy extra money. Somehow or another it came out that I had come up with these characters and had these stories and the three of them- Michael, Mike T. and Cassandra (who is now my lovely lady friend) were ridiculously encouraging and excited about the ideas I had. To the point that they would let me work on developing characters and storylines while on-shift and they’d pick up the bulk of the work if I was “in the zone”. I can’t thank them enough for their support and nagging at me until I did something with it. Michael was actually the one who put us over the funded amount for the Canadian Corps Kickstarter; that’s how awesome they are.

CG: What is the appeal of superhero comics for you?

AL: What ISN’T the appeal? Action, adventure, drama, quiet character moments, cool costumes, evil villains, awesome powers and the fact that you can tell ANY genre of story WITH superheroes! You can tell horror stories, sci fi, set stuff in the 1930s, whenever wherever.

A lot of people have knocked superhero comics over the years but I just point out the success of TV shows like Flash or cartoons like Batman: The Animated Series as proof that you can tell a great superhero story and people will love it.

CG: How’d you assemble the creative team for the book?

AL: Magic.

Hahaha! Sometimes it certainly feels that way, anyhow. I’ve said it several times but I really could not have asked fro a better group to work with on this book. I met Justin at Winnipeg’s C4 Comic Con- I was familiar with his work doing the covers of Axiom-man and when I saw some more of his work I knew I wanted to work with him. The plan had always been to do an all-Canadian superhero book with all-Canadian creators.

There are a TON of talented Canadian comic book creators out there but you never really hear of their citizenship; which is sort of how Canadians are in general- we don’t advertise it unless we’re talking hockey. I wanted something that embraced that. We’re awesome people, we’ve got a cool country- you can go all over the world and find people that think well of us, so why can’t we buy into that ourselves? But I digress.

I’d met Rod the following spring after running across HIS Kickstarter for Death At Your Door, an awesome web-comic and got the chance to meet him at a small con not long after. Rod was a super great guy but at the time I hadn’t thought about working with him on anything- he had his stuff and I had mine.

Donovan was someone who Justin introduced me to- they’d known each other for some time and Justin was convinced he was the guy who should colour the book. It took me probably about 5 minutes of finally sitting down for some one-on-one with Donovan to know he was the guy.

So we had pencils, inks and colour down. Only lettering was left and I KNEW it had to be Rod. I didn’t even know if he’d be interested in doing that kind of work, or even if his services were for hire, but I’d made up my mind. Luckily, Rod, like Justin and Donovan, was too nice to say no.

CG: What’s the secret origin of the Canadian Corps? Why this book, and why now?

AL: I’ve always wanted to do a Canada-based comic book and I’m a big fan of team books as a reader. Also as a writer- it’s much easier having a group of characters to riff of each other than a solo book. I’ve been working on LEGACY for a couple years and last year I introduced a second S17 title, New Guard. My plan when I started was to bring in a new title every year- this is Canadian Corps’ year.

When I did my first Free Comic Book Day tabling, I realized that I really needed to get out something that would appeal to the varied groups that were coming in and checking out the comics. Before it became a bandwagon thing, I really believed that comics should be for everyone- I don’t understand how people DON’T like comics but I can see how it can be hard for everyone to find something they like. Hopefully this will fill that spot for some people.

Originally it wasn’t going to be an all-ages sort of book but with all of the creative team having kids, I understood how much it meant to them to have something they could show and share with them. To that end I tried to tone down the language without dumbing it down- not that my books have a bunch of swearing but I always believed that dialogue should reflect how people really talk. And not dumbing it down was important to me- I’ve never talked down to my kids and I honestly believe that if you talk to kids like they’re just short adults, you get further and they respect that. No one wants to be looked down on. Not to mention I wanted it to be fun for adults to read.

CG: What aspect of the book are you most proud of?

AL: The response from people. From the creative team to the people who have checked out the Facebook page or stopped by our tables at the various cons we’ve previewed stuff at. And we haven’t really showed that much but the response has been hands-down the best I’ve ever had for a book. Justin and Donovan have said the same. People are thrilled about the characters- from Warrant’s mustache to their being a First Nations/Native American member to how cool and powerful Shieldmaiden looks. When I got together with Donovan and Justin a month or so back they all said the same thing I had been thinking- Why didn’t we do this book sooner?

CG: Is Canadian Corps part of a larger, shared universe?

AL: It is indeed. All of the September17 Productions (S17) books take place in a shared universe- LEGACY, New Guard or the up-coming Troubleshooters (with Eryck Webb) or The Sentries (with Andre Siregar of LEGACY #2-4), they’re all in the same world. That being said, you do not NEED to read all the books (but you should! they’re great!) to follow what’s going on but if you DO, they are some neat Easter Eggs that carry through them; guest appearances too! I’ve always enjoyed stuff that was linked together despite separate stories- whether Isaac Asimov’s Foundation series of novels or the shared univereses of DC and Marvel.

CG: What makes a Canadian superhero different from the superheroes south of the border?

AL: They fight cybernetically enhanced polar bears armed with hockey sticks and fueled by double doubles from Tim Hortons?

Traditionally Canadian heroes in comics have been kind of a joke compared to American superheroes, or at least have generally been perceived as such. With Canadian Corps I wanted to change that.

It might sound kind of weird, because I SHOULD say they’re COMPLETELY different but at the end of the day they kind of are NOT. Which was one of things I wanted to go for. Don’t get me wrong- there’s TONS of Canadian flavor in here (because I want to celebrate what makes Canada great) but I wanted to make them just as good as any other heroes from anywhere else. Too often Canadian superheroes end up being the butt of a lot of jokes (What do you fight cyber-polar bears with hockey sticks or something? Seriously I may write this now…) and I wanted to make it clear that Canadians kick ass as much as any other country, if not more.

Having a Canadian flavor was something that was important though- the first book takes us from the streets of Calgary to the far north of Nunavut. Further volumes will have stories involving Canadian cities and ideas that reflect the various cultures and histories that make up our fine country.

CG: What’s next for September17 Productions?

AL: Some days it feels like what ISN’T next for us! Haha!

Canadian Corps #2 (the second half of the collected edition) is up next for the art crew when they wrap up a couple of their own projects. New Guard #2 has been completed for pencils, inks and lettering- colouring is 2/3 done. After that Kenan will be heading straight into LEGACY #7 (#6 comes out at the end of this month!) after he’s done.

The Sentries (#1-3) is my big summer blockbuster story that will really open up the universe of S17 and introduce even more aspects of the world that we are creating through the books. Sentries #1 comes straight out of LEGACY #6 but, as with all the other books, it has a story that is its own thing. The high concept might be something like Avengers meets Pacific Rim meets Star Wars. But different. And better.

Troubleshooters is a book I’m doing with Eryck Webb, an artist I’ve been wanting to work with for a couple years now- I had originally approached HIM to do New Guard but luckily he was too busy at the time and I found Kenan. If he’d been able to do the book I would’ve missed out on working with Kenan and that would’ve sucked because he’s a great collaborator.  That being said, I wasn’t about to give up on doing a book with Eryck and I’m stoked to have him on Troubleshooters. Much like The Sentries, Troubleshooters will open up more aspects of the S17 Universe while still being its own creature. If you liked the TV show Fringe or the comic book series The Authority/Stormwatch, this book will be your kind of thing.

Character handbooks are slowly in the works- I had wanted to do something along the lines of Marvel’s Handbooks but I’ve started leaning towards a complete S17 Universe Encyclopedia, but we’ll see. Still plenty of work to be done there- over 300 characters to write-up. Also we’re looking at turning those write-ups into a role-playing game sourcebook so there will be that to do as well. Luckily I have a gaming expert to help me out there in the form of DT Butchino who regularly releases his own wicked characters in a series called Acts of Villainy for the Mutants and Masterminds system. There are few, if any, systems he isn’t familiar with though- like I said, he’s an expert.

Besides all the comic book stuff I’m also working on a few novels in my spare time and will be looking to put in a bunch of time on those in the new year. My game plan is to write the next year’s worth of S17 comic book scripts by December so I can concentrate on the novels next year. The novels I’m working on are: Return to Grenfell (my first stab at a Fantasy novel), Formerly Known As the Indestructible Kid (about a former teen superhero sidekick turned private detective) and Innocents Lost (planned to be the first of the Steven Kincaid mystery series). At some point I’ll be doing a novel adaptation of the LEGACY #10-12 story arc and that will be called LEGACY: The Storm.

I’ve got a few other things that I’d like to do as well but it’s a matter of fleshing the ideas out a bit more and finding the time.

And that’s that! Thanks again for doing this, sir!

CG: You’re very welcome, good luck with the rest of your Kickstarter!

Upcoming Events

Some fun stuff on the horizon:

Central Canada Comic Con!

I’ll be sharing some space with GMB Chomichuk, Samantha Beiko, Ryan Roth Bartel, and assorted other awesome folks in Artist’s Alley. Come on down to Booth 328 and say hi. I’m also debuting a new illustrated Thunder Road ‘verse short story illustrated by Kevin Madison (who did a series of  “Thunder Road Trip” illustrations)! “A Simple Twist of Fate” will be limited to a 200 copy print run, so you know what they say: buy early and buy often.

Other friends of Thunder Road that will be in Artist’s Alley include: AP Fuchs (#829), Burst Books (#823), Donovan Yaciuk (#316), Kari Ann Anderson (#116), Keycon (#910), Lovern Kindzierski (#425), Nyco Rudolph (#532), Scott A. Ford (#621), Scott Henderson (#324), and Sierra Dean (#724).

NaNoWriMo is kicking off November 1st. I won’t be participating in NaNo this year (I know, I know, it was on my goals for the year, but I still have two NaNo novels waiting to be edited and rewritten properly and a contracted book to finish and hand in) but the Manitoba Writers’ Guild and the Writers’ Collective have asked me and Samantha Beiko and Chris Rutkowski to pop by their NaNoWriMo kickoff and do a reading and give some words of inspiration.

Saturday, Nov. 1st from 6 – 10 p.m.
The Manitoba Writers’ Guild and The Writers’ Collective have combined forces to help you get your novel started off right! November is National Novel Writing month. The guild has offered up their office (218-100 Arthur Street) for writing space, coffee, and inspiration. At 6:30, 7:30 and 8:30 authors will read from their fiction and offer words of inspiration!

6:30 Chris Rutkowski 7:30 Samantha Beiko 8:30 Chadwick Ginther

World Fantasy Convention WFC is one of my favourite traveling cons. I missed it last year, as Brighton just wasn’t in the cards, but Toronto 2012, Columbus 2010, and Calgary 2008 have all ranked among my favourite conventions ever, so I have high hopes for this year. Hope to see you there!

Novel Writing Club: In collaboration with the Manitoba Writers’ Guild, the Winnipeg Public Library will be hosting a novel writing club to offer emerging novelists the opportunity to work with a mentor for a seven month period. At monthly meetings, a facilitator will meet with participants to address their concerns, provide inspiration and advice, and offer ideas and suggestions. The objective is for all participants to complete the first draft of a novel by the last meeting in June.

The program is intended as an opportunity for writers who are prepared to commit to monthly meetings. Applications are open to those who have not participated in WPL’s critique circles during the past year. There is no charge to participants.The novel writing club will be facilitated by Chadwick Ginther (That’s me!).

Tuesdays, 6-9 p.m. November, 25, December 16, 2014, and January 13, February 10, March 10, April 7, May 5, and June 9, 2015. A wrap-up event presenting an opportunity for writers to read aloud from their work will be scheduled for June.

Interested writers are encouraged to complete the application and submit it via email to critiquecircle.wpl@gmail.com starting November 1, 2014. Applications will be accepted until November 14, 2014. For more information, please call Millennium Library Reader Services at 204-986-6779

Write on!

Central Canada Comic Con Roundup

This was not my first time attending C4, but it was my first time there as an author.

In the past, I would get a day pass, swing through Artist’s Alley and the back issue bins, drop too much money, and be gone in under an hour or so. Big crowds always have a way of making me want to start throwing elbows. It’s been a number of years since I’ve even attended, as C4 almost always conflicts with World Fantasy Con and WFC is probably my favourite model of conference. Given the amount of editors and agents that attend, more likely to advance my career in the long run than selling a box of books. But WFC was in Brighton, England this year, and unfortunately, just not in the cards.

IMG_0401 My table, tarted up with books and props.

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But I had a great time! In fact, I found C4 far more enjoyable as a vendor than I did as just an attendee. Having a table allowed me to avoid the lines getting in, gave me a place to sit and leave my jacket, toque, and gloves (I mean, it is held in November in Winnipeg, if you feel me), and to have a place to go if the crush of people became too much. Aside from having fun, how’d the con go?

Great!

I sold enough copies of Thunder Road and Tombstone Blues to pay for the cost of my table and the crappy pizza and hotdogs that the Winnipeg Convention Centre offered up (I’ll need to sell a lot more books to cover the cost of all the swag I bought). I talked to a lot of people, handed out postcards, magnets, pens, journals, and t-shirts.

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I thought a varied table might help me out, so I brought copies of all the anthologies and magazines containing my short stories. I sold a couple copies of the Fungi anthology. Talked up On Spec, and the forthcoming Tesseracts anthology The reaction the passersby had to Fungi was awesome to see, and allowed me to chat up people who would have otherwise have kept walking. I’ll definitely keep bring the short stories along to play if I do more of these cons.

I was located in a makeshift “Author Alley” row inside of the general Artist’s Alley along side a bunch of my writing pals, Sierra Dean, Samantha Beiko, Clare C. Marshall, and the Burst Books crew of Graeme Brown, L.T. Getty, Ronald Hore, and Cameron D. James.

I tracked down Donovan Yaciuk, creator of Spacepig Hamadeus, and talked a bit about my short comic for his upcoming anthology, introduced him to Samantha, who in addition to being a great writer, is a kick ass artist. One of the big attractions for me of this year’s C4 was picking up a limited print edition of GMB Chomichuk’s Aurora Award nominated comic, Raygun Gothic.

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Once I found the Alchemical Press booth I dropped all of the coin! I picked up some prints, buttons, and of course, that limited print edition which is now customized and rather than 1 of 200, is one of a kind!

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Also, it can pay to be a Secret Society (TM) member, and there are some cool things coming up that I can’t talk about yet.

But what you really want to see is the costumes, isn’t it?

“Aww, Ice King!”

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How do you spell the repulsor noise?

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Enchantress and Red Sonja!

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Sweet classic Loki costume!

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Another great Loki. IMG_0395

Not pictured: the mini donuts this Loki has tucked behind her back.

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One of many Thors. I wish I could have caught them all (like Pokemon).

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My lovely assistant was having some fun while I was gadding about.

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Probably the best Ash costume I’ve ever seen. This guy rocked it. Groovy.

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Unless these guys are about to reenact an “Acts of Vengence” storyline, I find it very dubious that Magneto and The Red Skull would be so buddy-buddy.

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Captain America might need to separate those two…

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Batman knew what we wanted to see.

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One of my favourites! Castle and Beckett. The guy in the Castle costume made the vests.

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TONS of Adventure Time cosplay, and lots of Marceline the Vampire Queen. This Marceline traveled with Marshall Lee the Vampire King.

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I don’t know who these guys are, so it must be a video game thing, but awesome costumes.IMG_0457

Ghost Rider knows who you are and what you’ve done (especially you, Nicholas Cage).

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Write on!