St. Valentine’s Horror Con

Just added this event to the list for 2016:

Voodoo Child

Super stoked! I grew up with the Friday thte 13th movies, and Kane Hodder was definitely my favourite portrayal of Jason.

Hope to see you there!

Write on!

Workshop And Reading In Thompson

Huge thanks to the City of Thompson, The Manitoba Writers’ Guild and Calm Air for inviting me to present a fantasy and horror writing workshop, and for making this trip possible! It’s some auspicious timing also, what with the 22nd being the 20th anniversary of the first Hellboy comic!

I’ll also be doing a reading and Q & A at the City of Thompson Public Library, Friday March 21st at 6pm. Thank you, Thompson Public for the invitation.

writingworkshop_poster_proof2

Northern Manitoba was a huge inspiration in the writing of Thunder Road, and so while I’m heading up north to teach, I’m also hoping to come home with some more stories. I promised one of my Twitter followers that I’d write something set in her home town some day…

Write on!

Weekend Events

I am very excited to join these fine (and utterly horrific) fellows on Friday in a panel moderated by Maurice Mierau and sponsored by ACI Manitoba and the Manitoba Writers’ Guild!

David Annandale is the author of Gethsemane Hall, The Death of Antagonis, and the Jen Blaylock thrillers (also published by Ravenstone Books).

Michael Rowe is the Aurora and Sunburst Award nominated author of Enter, Night. He is in Winnipeg to launch his latest novel, Wild Fell.

Horror Poster

Then on Saturday I’ll be signing copies of Thunder Road and Tombstone Blues at McNally Robinson Booksellers from 2-4 pm. Hope to see you there!

Write on!

An Interview With Silvia Moreno-Garcia

Silvia Moreno-Garcia bought one of my short stories for the Fungi anthology she edited with Orrin Grey, and so it was an absolute pleasure to meet her at Keycon 30. I’m very excited about her latest project, Young Blood, a YA vampire novel set in Mexico. She’s currently crowdfunding the book on Indiegogo. I hope you’ll consider donating, there’s still ten days left to make this book happen and I really want to read it.

CG: Young Blood started out as a short story. Why did you decide to expand it into a novel?

SMG: I worked on two previous novels that didn’t pan out and I wanted to try something different, something that was short and had more clear-cut fantastic elements. I decided “A Puddle of Blood” could be extended and work as a YA, and it had been well received, so it seemed like a natural fit and I didn’t think there was anything like it around, so it might have some potential to attract readers.

CG: What appeals to you most about vampires as a monster in general, and your vampires in particular?

SMG: I think vampires are creepy fuckers. Nowadays they are popular romantic heroes, but if you look at legends and folklore, they are scary things. Emblems of the plague. You watch Nosferatu, the black and white version or the colour remake, and even though the vampire seems to desire the leading lady, it is NOT the kind of relationship you’d like to be in. It is deadly. Nosferatu is a horrid-looking thing. Those vampires appeal to me more than the romantic ones.

Even with the romantic ones, there are details that are ignored which I find disturbing. Why would a 100 year-old creature want to spend his life in high school, meeting teenagers? There’s a disturbing thing there. Predator double time.

As for my vampires, Atl is inspired by Caribbean and Latin American folklore. I like having a vampire that is a bit different and isn’t romantic. Some of the other vampires in the book take after European vampires, but they are not romantic, either. It was fun having these creatures going around Mexico City and fighting each other.

CG: Why do you feel it’s important to set fiction outside of the big US cities where we commonly see it?

SMG: I just think it’s odd that everything happens in the US. Every single time an alien ship it lands it’s in New York or Washington. Let’s shuffle it around, no? Also, the reactions of the people in a different cultural setting can be very interesting. If you have aliens walking through the slums of Mexico, I think you’d get a very different reaction. I imagine that if they tried to make it into Tepito, a famous low-class, tough neighborhoud (since the time of the Aztecs), they’d come out dead. There are many untapped possibilities when you go for someone who is not the usual protagonist or you transport the action to a setting you normally don’t see.

That’s why Domingo collects garbage. I wanted to have a protagonist who was not upper class or white or emo. Someone who isn’t heroic in the oh-you-are-the-chosen-one kind of way, but still has street smarts and is brave in his own way. And I wanted to put him against Atl, who is older, more sophisticated, more sure of herself, so that we don’t have the older suave male and the younger naive woman.

CG: I’ve only read the sample chapters so far, but I love your portrayal of Mexico City. How did you capture its flavour?

SMG: Thanks. Mexico City is an awesome city. It’s huge. You can find anything in the world there. It’s also ugly as hell. It’s also beautiful. You can walk into 18th century houses and brand new highrises. It’s a labyrinth. It’s a great monster. I love and hate it. I hope some of those feelings come through in the text: what it’s like taking the subway, walking through some of the streets and the like.

CG: What was the most interesting piece of research you found while working on Young Blood?

SMG: I read a lot about the current crime troubles in Mexico, the narco stuff. It’s quite disturbing. If you think fiction is bad, try browsing through some newspaper articles. In a way, writing about these kind of crimes is a bit cathartic because it’s just so freaking scary knowing what’s going on in the place where I was born. I can process the horrors better this way, if it makes any sense.

Anyway, the most interesting factoid is how the narco system began. It started in the 1940s. Farmers in Sinaloa started growing opium poppies. The government of the United States needed an alternate supply of morphine during World War II. They couldn’t get it from Asia due to the war. So they encouraged farmers to grow it for them. They planted the seeds of the cartels. Though the United States loves to talk about the War on Drugs, they got us started on this path.

CG: Do you have any further plans for Atl, Domingo, and Rodrigo if Young Blood gets funded?

SMG: I don’t like doing multi-series books, so this will be the end of them. Unless someone wants a graphic novel. Then GMB Chomichuk can draw it.

CG: I’d definitely buy that! Thanks, Silvia, and good luck with Young Blood!

You can read Chapter 1, 2, and 3 on Silvia’s website. Here’s the trailer for Young Blood:

Mexican by birth, Canadian by inclination. Silvia lives in beautiful British Columbia with her family and two cats. She writes speculative fiction (from magic realism to horror). Her short stories have appeared in places such as Fantasy Magazine, The Book of Cthulhu, Imaginarium 2012The Best Canadian Speculative Writing and Shine: An Anthology of Optimistic Science Fiction. Her first collection, This Strange Way of Dying, is out in 2013.

Silvia is the publisher of Innsmouth Free Press, a Canadian micro-publishing venture specializing in horror and dark speculative fiction. The Innsmouth Free Press website features daily non-fiction and tri-annual fiction issues. Innsmouth Free Press publishes several  high-quality anthologies and novels during the year.

She has co-edited the anthologies Historical LovecraftFuture LovecraftCandle in the Attic Windowand Fungi. The upcoming Dead North will be the first anthology she edited solo.

In 2011, Silvia won the Carter V. Cooper Memorial Prize (in the Emerging Writer category), sponsored by Gloria Vanderbilt and Exile Quarterly. She was also a finalist for the Manchester Fiction Prize.

To contact Silvia e-mail her at silvia AT silviamoreno-garcia DOT com. You can also find her on Twitterand Google+.

Ferocious Opening

I just found out that a friend of a friend has a movie opening in Winnipeg tonight. Pretty cool stuff!

Ferocious is Robert Cuffley’s third feature and was filmed on location in Saskatoon. Go Canadian indie film!

Ferocious is about Leigh Parrish (Amanda Crew), a likeable, small-town girl, now famous actress, who takes increasingly drastic steps to protect her fame. Michael Eklund plays Eric, a bartender and former boyfriend of the long-gone celebrity. Kim Coates plays Maurice, the sleazy nightclub owner that has been extorting cash from the rising celebrity over an unsavoury secret Leigh is determined to bury forever.

Ferocious opens in theatres in Winnipeg Friday March 15th at the Landmark Cinema 8 Theatre (301 Notre Dame Ave).

Last Recommended Reading Post For A While…

Aside

My previous recommended reading post featured all Canadian authors, but I did read a bit outside of my nation in 2012. In the spirit of fairness, here is some work I really enjoyed by American and U.K. writers.

  • Folly of the World, Jesse Bullington. Orbit Books, December 2012
  • The Steel Seraglio, Mike Carey, Linda Carey, Louise Carey. CZP, April 2012
  • Silver, Rhiannon Held. Tor Books, June 2012
  • Libriomancer, Jim C. Hines. DAW, August 2012
  • The Warlock’s Curse, M.K. Hobson. Tesla, October 2012
  • Soul Trade, Caitlin Kittredge. St. Martin’s Press, September 2012
  • Greatshadow, James Maxey. Solaris Books, January 2012.
  • Discount Armageddon, Seanan McGuire. DAW Books, March 2012
  • Forged in Fire, J.A. Pitts. Tor Books, June 2012
  • This is Why You Fear Me, Robert Shearman. CZP, November 2012
  • A Pretty Mouth, Molly Tanzer. Lazy Fascist September 2012

Most of the short fiction I read in 2012 was Canadian, but here’s a couple of American standouts from Fungi:

  • “Last Bloom on the Sage”, Andrew Penn Romine, Fungi, Silvia Moreno-Garcia & Orrin Grey eds., Innsmouth Free Press, December 2012
  • “Tubby McMungus, Fat From Fungus”, Molly Tanzer & Jesse Bullington, Fungi, Silvia Moreno-Garcia & Orrin Grey eds., Innsmouth Free Press, December 2012

In The Spirit of Christmas, Have A Free Story

A few years ago, I extended a challenge to my writing group for our December meeting: write a 500 word Christmas-themed fantasy story. That meeting was mostly going to be a potluck anyway, so we agreed to read the stories aloud rather than critiquing them. Most of us played along, and it was a lot of fun (if you like stories about Christmas slashers and wishes gone wrong–apparently we had some issues with The Most Wonderful Time Of The Year.).

So here is my contribution, which remains the first (and only) piece of flash fiction that I’ve written:

The Gift That Keeps On Giving

Nicholas stepped nimbly over the coals, still smoldering, within the fireplace. He had years of practice, and nary an ash clung to his polished, gleaming black boot.

How do you get to Carnegie Hall. He smiled at the old joke. Practice.

But in all those years, this was something new. It was new, and that bothered him. He pulled the long parchment list from within his heavy coat. Checking it once, he didn’t like what he saw.

He checked it twice.

But there was no disputing it. This house wasn’t on his list. Nicholas shouldn’t have stopped here. There was no longer a reason for him to have stopped here. That poor little girl. He shook his head. There had been nothing he could have done. Not all wishes, he sighed ruefully, can be granted. And not all pains can be soothed with toys. It had broken his heart, what she had wished for, but it just wasn’t within his power to grant.

There were no decorations in this house. No tree. No garland. No mistletoe. Framed photographs lined the mantle of the fireplace, but no stockings dangled beneath the images of a once happy family.

Nicholas turned his back on the unhappy dwelling and started back towards the chimney. A creak on the stairs stopped him in his boots. It was a soft noise, followed by the shuffle of fabric over hardwood.

A child’s slippers.

“Santa?” a weak voice rasped from the stairs.

He couldn’t be seen, unless he chose to be. That was the one rule that governed, and protected him. Him, and the magic of Christmas both.

He often chose to be seen.

“Yes, my child,” Nicholas answered as he turned; ready to flash the hundred watt smile that would bring a rosy cheeked, dimpled grin to the girl’s face. Perhaps the list was mistaken?

The smile died as he saw her, now practically on top of him. She’d crossed the intervening distance between them in a flash. Her breath, coppery and rank, wafted over him, and her grip upon his mittened hand was too firm to shake.

“You didn’t bring me what I asked for last year,” she said petulantly as she pressed her tongue to an oversized canine. A bead of black blood welled up slowly from the small wound. “But someone did.”

Nicholas screamed as she jerked his head down by his snowy white beard. Blood sprayed across the girl’s little face.

His blood.

She lapped at the arterial spray, like an animal. Her face was a vision of ecstasy. His eyes stopped focusing as she whispered in his ear.

“Now every child in the whole world will get my wish.”

#

Later, in every house that still believed in such things – and there were many – children left out plates of homemade cookies, and tumblers of milk, beading with condensation. Wherever they had succumbed to slumber a voice whispered through teeth that glinted like knives, and a stained rusty beard.

“I never drink…milk.”

Fin