Chilling Tales And Apparitions Too…err 2

I just donated to Michael Kelly’s Apparitions 2 on Indiegogo.

Much like with my Kickstarter addiction, I am quite fond of this, the Canadian equivalent, and am hopeful that my streak of endorsing winners continues. I had a chance to interview Michael a while back, in fact, it was my first ever story for Prairie Books Now (it was also a lot of fun). I finally had a chance to Meet Michael in November during the 2012 World Fantasy Con. We also shared a table of contents in Tesseracts 16, and I can tell you, Michael is one hell of an author–and one hell of an editor.

Chilling Tales, also edited by Michael, was in my mind the strongest Canadian anthology of speculative fiction to come be released in 2011, and any number of its stories deserved a place on a year’s best list. If you’re into horror and crowdsourcing, Michael Kelly’s new anthology is definitely worth funding.

This interview originally appeared in the Spring 2011 issue of Prairie books NOW.

chilling-tales

Chilling Tales Evil Did I Dwell; Lewd Did I Live

Michael Kelly, Editor

Edge Science Fiction and Fantasy

$14.95 pb, 224 pages

ISBN: 978-1-894063-52-4

Underneath that cool Canadian reserve, a dark heart beats, believes Michael Kelly, editor of Chilling Tales: Evil Did I Dwell; Lewd I Did Live.

Chilling Tales features stories from Canadian horror fiction mainstays Brett Alexander Savory, Sandra Kasturi, and Nancy Kilpatrick, as well as some of the nation’s brightest (or should that be darkest) up and comers such as Gemma Files. Robert J. Wiersema, best known for his literary fiction, leads off the collection with a honky-tonk infused ghost story.

Kelly sensed a distinctly Canadian worldview, a “tangible loneliness” and “disquieting solitude” permeating the stories of his collection. But he feels Canadian writers are “merely doing what comes naturally—in this vast, sprawling land of ice and prairies, of wind and rock and water, of major urban centres encroaching on the barrens with spreading tendrils—exploring the other, that vastness.”

Anthologies such as Chilling Tales have been something of a rarity, although Don Hutchinson’s Northern Frights series left “an indelible impression” upon Kelly.

“There’s no easy answer,” he says, of the dearth of all-Canadian horror collections. “Part of it, I surmise, might be that Canadian genre writing is somewhat marginalized by the bigger publishing houses.”

It’s no surprise to Kelly that the two most recent such volumes were published by Chilling Tales’s publisher, Brian Hades at Edge Science Fiction and Fantasy. “It is the smaller houses with an indie spirit that will take a chance on a project like this.”

Kelly felt it was time to showcase Canada’s dark heart. There was no open call for submissions; instead he went hunting for authors that “shared that strange dark worldview” he was conjuring.

“I also mentioned that they could recommend some authors to me, as well. It was a bit of word-of-mouth and also me soliciting authors I admired.”

A writer himself, the Pickering, Ontario-based, Shirley Jackson Award-nominated Kelly enjoyed the challenge of editing the collection.

“There’s a certain order to the stories, a flow, whether you’re moving from something short and shocking, to something literary and poetic, to something prosaic. It’s a balancing act,” he says. “When I’m writing fiction, I just want to tell a story. I’m writing for me, though, no one else. When I’m editing a commercial anthology, I’m cognizant of the reader.”

The result? An eminently readable, page turning collection, tales that leap from the page, burrowing into you. It is as if the authors are kids around a campfire, each trying to one up the other with the imaginatively macabre. From ghosts, to issues of faith, to the very unusual skin condition in David Nickle’s “Looker”, Chilling Tales has a velocity that keeps its reader huddled up for just one more story.

“I’m hoping this first volume will act as a benchmark for future volumes,” says Kelly. “I wanted to show that Canadian writers can be as literate, entertaining, edifying, and as scary as their contemporaries. Of course, I already knew that. Now, everyone will know.”

When Words Collide Roundup

Calgary’s literary festival “When Words Collide” is fast becoming one of my favourite conferences. Outside of maybe the World Fantasy Convention, this is most fun I’ve had as a writer. A lot of the credit goes to organizer, Randy McCharles (who also chaired World Fantasy when it was in Calgary–my first real con, FYI) and won an Aurora Award this year for founding and organizing last year’s festival.

Thursday I was supposed to attend the Bundoran Press launch of Hayden Trenholm’s Blood and Water, but by the time I’d finished supper with an old friend, the event was just getting underway, so it was a low key but very late evening of talking comics for me instead. Probably a good thing as loaded as the rest of the weekend was.

One of the things about being a Winnipegger, is that inevitably when you travel across the country (or the world) you end up hanging out with other Winnipeggers. So I did spent a bit of time with fellow ‘Peg specfic writers Sherry Peters and Gerald Brandt. It was also nice to see that Aurora nominated Greg Chomichuk attended the con (and brought his dad, Walter–lovely man). I also had lunch with Jean and Joedi, two publisher reps out in Calgary. It was nice to see them on their home turf. Normally we only get to talk over book catalogues in Winnipeg.

I didn’t take in much programming Friday, instead hanging around the Dealer’s Room catching up with old friends. I met the Tyche Books team–they’re doing some nice looking work, keep an eye on this rising Edmonton Press. They sent me home with some recipes from Krista Ball’s new book What Kings Ate and Wizards Drank (Brains and Butter! Together at last! Yum!). I also managed to reconnect with Seattle author Rhiannon Held. We met in Columbus, Ohio for the 2010 World Fantasy Convention and I interviewed her for the release of her debut novel, Silver. It was very cool that she made the trip to Calgary. I also caught the tail end of the Keynote speeches (Kevin J. Anderson and Rebecca Moesta).

I took in the SF Canada and On Spec party which honoured the Aurora nominees as well as the joint launch party for Bundoran Press, Breathless Press and The Tenth Circle Project. Eventually I ended up at an impromptu scotch tasting (you’ll sense a theme here) that proved to be very, very dangerous.

Saturday morning I dusted myself off in time for my panel on Telling a Book by Its Cover (with former Saskatoon colleague Kent Pollard, Stephanie Johanson of Neo-Opsis, artist Dan O’Driscoll and publisher Justyn Perry). It went well–I think. Sometimes it can be hard to judge. I was moderating, I think I kept everyone in the conversation, and that we stayed mostly on topic. Page proofs showed up on my door the week before the con, so I didn’t prepare as well as I’d hoped–I also didn’t want to lug an entire suitcase of books with covers that worked and covers that didn’t on the plane with me.

You never know who’ll you bump into at these things, so imagine my surprise when Sarah Kades and I recognized each other in the hotel hallway. We used to work together at the book store before she moved to Calgary, where she now works as an archaeologist and writes adventure romance. I’ve made a mental note to check out her book.

I rarely go to the Kaffee Klatches, but I hadn’t seen mystery author Anthony Bidulka in a few years. Anthony is an amazing raconteur and had some great tales to tell. A fun, genuine guy and one hell of a writer. I’m really looking forward to his new series of books.

Next was the first set of readings I attended. Nicole Luiken read from her YA novel Dreamline, Jennifer Kennedy read from her Norse influenced story “Fingernails” which appeared in Danse Macabre, and Cat McDonald read from a work in progress.

Eventually, I shined myself up for the Aurora Awards Banquet; grey dinner jacket, salmon coloured shirt and matching tie and my Autobots belt buckle. The food would have been adequate if I had paid twenty dollars rather than forty for my banquet ticket, but at least there was cheesecake at the end (and whiskey throughout). My good friend Rob Sawyer won for best novel–which makes three in a row, his WWW trilogy has made a clean sweep of the award. When asked who will win, I always tend to vote with my heart rather than my head but this year I was wrong more than I was right on either count. One result I’m very happy to report I was right on in both regards was Helen Marshall taking the Aurora for Best Poem/Song. “Skeleton Leaves” is simply an amazing work.

I was also very excited for On Spec to take home an Aurora. It’s always great to see Barb Galler-Smith, Diane Walton and the On Spec team at conventions. They also published the first story I sold, and even cooler, the artist of the cover for that issue, Dan O’Driscoll, won an Aurora too.

Here’s the full list of winners:

Best Novel
Wonder, Robert J. Sawyer (Penguin Canada)

Best Short Fiction
“The Needle’s Eye,” Suzanne Church, from Chilling Tales: Evil Did I Dwell; Lewd I Did Live (EDGE)

Best Poem/Song
“Skeleton Leaves,” Helen Marshall (Kelp Queen Press)

Best Graphic Novel
Goblins, Tarol Hunt (Webcomic)

Best Related Work
On Spec: The Canadian Magazine of the Fantastic, Copper Pig Writers’ Society

Best Artist
Dan O’Driscoll

Best Fan Publication
Bourbon and Eggnog, Eileen Bell, Ryan McFadden, Billie Milholland, and Randy McCharles (10th Circle Project)

Best Fan Filk Musician (for music based on sci-fi)
Phil Mills

Best Fan Organization
When Words Collide, presented to founder and chair Randy McCharles

Best Fan (Other)
Peter Watts, “Reality: The Ultimate Mythology,” Toronto SpecFic Colloquium lecture

Saturday night was party night (More parties! Woo!). There were several going on around the hotel. IFWA (Calgary’s Imaginative Fiction Writers Association) honoured the Aurora Award winners. EDGE publications had a party to celebrate the launch of their fall line. Eventually I ended up at the ChiZine Publications room party. Brett Savory and Sandra Kasturi were there of course, as was Napier’s Bones author Derryl Murphy. I also met author and publisher at Faery Ink Press Clare Marshall and hung out a bit with Colleen Anderson. I may have also accidentally pitched a book I haven’t written yet while complaining about how hard I find it to do elevator pitches for my own work (I do a pretty good job of selling other people’s stuff–eleven years of bookselling helps there, but I find it almost impossible to think of a good tagline for any of my own stories). I left the party with an advance reading copy of Robert Shearman’s forthcoming collection of short stories Remember Why You Fear Me.

Sunday came all to soon after three straight late nights and early mornings.

At the EDGE Fall launch, I read from “Back in Black” and was told by the Sheriff of When Words Collide, one Cat McDonald, that I rocked the mic like a bulldog. Everyone at the launch delivered great readings (Dave Duncan, Tim Reynolds, Jennifer Kennedy, Randy McCharles and Adria Laycraft). Immediately afterwards, I read with fellow Turnstone Press author and writing group chum, Karen Dudley. I read from Thunder Road, Karen read from Food for the Gods. It wasn’t my best reading, I’m afraid. My EDGE reading was near the end of the slot, so there was only ten minutes or so between it and my Thunder Road piece. Didn’t quite have the batteries recharged, or didn’t switch gears fast enough. Not the end of the world, but disappointing. I will say big thanks to Eileen Bell, Erika Holt, and Ryan McFadden for being among the audience, especially since Eileen and Erika were at the readings Karen and I did at Keycon.

I stayed in the room for the next group of readers: Bob Stallworthy, Susan Forest, and Colleen Anderson. A little bit of poetry, a little bit of prose. Very good stuff. After a late lunch, I took in the Tenth Circle Project readings with Eileen Bell, Randy McCharles, Ryan McFadden and Billie Milholland. This is a great neo-noir shared world series with some fun science fictional elements.

The Dead Dog party is a convention staple, where the con survivors take in one more night of socializing and fun. So glad I stayed in town for it this year. There was a crazy lightning storm (which despite arriving several beers in, had me scribbling notes in my notebook) that a bunch of us writer types watched from the hotel’s exterior balcony. I didn’t quite close the joint down, at 3:30 am I decided that turning into a pumpkin was in my best interest.

Best part of the con is how many friends I have out in Alberta now. I’ve already bought my membership for next year.

Guests at When Words Collide 2013 include: Patricia Briggs, David B. Coe, and my publisher, Jamis Paulson of Turnstone. When Words Collide is changing venues for next year, and while I loved the open central area of the hotel that allowed you to see who was currently in the bar or having a meal (and those exterior balconies), the place was also hot as Surtur’s ball sack. I definitely won’t miss that. Hopefully new venue, the Carriage House Inn will be a good fit.

A Bunch of Little Things Make a Big Blog Post.

I was in Ottawa over Canada Day, and while I was hoping to have my recap of that trip up and posted, a bunch of things have got in the way. So instead, here’s a few minor tidbits that have crossed the desk since then:

The Sunburst Awards Shortlists Announced:

Adult fiction:

  •  Eutopia: A Novel of Terrible Optimism, David Nickle (ChiZine Publications)
  • Technicolor Ultra Mall, Ryan Oakley (Edge Science Fiction & Fantasy Publications)
  • Enter, Night, Michael Rowe (ChiZine)
  • Paradise Tales, Geoff Ryman (Small Beer Press)
  • The Pattern Scars, Caitlin Sweet (ChiZine)
  • Blackdog, K.V. Johansen (Pyr Books)

Young Adult fiction:

  • Ultraviolet, R.J. Anderson (Lerner Publishing Group)
  • All Good Children, Catherine Austen (Orca Book Publishers)
  • The Summer of Permanent Wants, Jamieson Findlay (Doubleday Canada)
  • The Dead Kid Detective Agency, Evan Munday (ECW Press)
  • Blood Red Road, Moira Young (Doubleday Canada)

Another great year for my pals at ChiZine, and the second year in a row where the Sunbursts and the Prix Auroras have had a surprising amount of commonality. My recollection (I suppose I could actually research this, but that defeats the purpose of a quick blog post, doesn’t it?) is that the two awards, one juried, one fan-voted, have never shared a winner.

On the Same Page (aka Manitoba Reads before CBC started an actual Manitoba Reads program) shortlist announced:

  • A Thousand Farewells, Nahlah Ayed (Viking Canada)
  • Queen of Hearts, Martha Brooks (Groundwood Books Ltd.)
  • Manitowapow: Aboriginal Writings From the Land of Water, Niigaanwewidam James Sinclair and Warren Cariou, editors (Highwater Press)
  • A Large Harmonium, Sue Sorenson (Coteau Books)

Local awards like On the Same Page are always hard for me to come out in support of a particular title. I think it stems from getting to know many of the authors at my bookselling day job. It feels a little like playing favourites. I know I have a few colleagues who refuse to be on any of the Manitoba Book Awards juries for this reason. But this is my blog and I’ll play favourites if I want to. I think it’s going to be hard to top Manitowapow this year. The book has had an amazing response so far, and with its multiple contributors I think it’ll have the most promotional oomph.

There are no genre titles in the running this year. I nominated Sierra Dean’s debut urban fantasy Something Secret This Way Comes, (mostly because it’s an awesome and fun read, but partly because I know the customers who buy whole hog into On the Same Page, and thinking of them reading a book about a half-werewolf, half-vampire bounty hunter really made me smile) because if I don’t support Winnipeg’s fantasy writing community, who will?

Speaking of Winnipeg’s fantasy writing community:

Fellow Turnstone author, critique partner, maker of holiday peanut brittle and all around good egg, Karen Dudley, has booked the Winnipeg launch for her fantasy debut, Food for the Gods. Be there. It’ll be awesome. I fully intend on drinking a full amphora of wine and telling embarrassing stories about the early days of this novel. If that doesn’t float your boat, Karen is one of the best readers I’ve encountered, and trust me, I’ve worked in a book store for over ten years, I’ve heard a lot of readings (many of which I’d pay money to unhear).

Oh, and this happened:
Chadwick Ginther Puts The Magic Back In Manitoba
A great shout out from my home team at McNally Robinson. Thanks especially to Steven Benstead who wrote the article and has been a tireless supporter of my writing from day one. Steve is also a damn fine writer himself, and as much as I poke fun at Can-Lit, when his current novel finds a home, it’ll knock your socks off.

Finally, the Innsmouth Free Press anthology Fungi (containing my story “First They Came for the Pigs“) has a website now and I think it looks beautiful. I love everything about this project, so kudos to editors Silvia Moreno-Garcia and Orrin Grey. I can’t wait to read everyone else’s stories. And if I’m playing favourites, of all the stories I’ve written, my contribution to Fungi is currently my most loved.

That’s all the news fit for print, as the saying goes.

Write on!

Chilling Tales

You can blame David Jón Fuller for today’s post. I realized I hadn’t chimed in for a while, and then David reposted one of his old articles, and I thought: “Shit. I can do that too!”

The anthology Chilling Tales Evil Did I Dwell; Lewd Did I Live was one of the books on my shortlist for the Prix Aurora Awards. It includes work by such Canadian genre luminaries as Robert J. Wiersema, Sandra Kasturi, Brett Alexander Savory, David Nickle, Claude Lalumière, and Gemma Files. Chilling Tales also included many of my favourite short stories of last year. So here’s the interview I did with editor Michael Kelly in early 2011.

Chilling Tales Evil Did I Dwell; Lewd Did I Live

Michael Kelly, Editor

Edge Science Fiction and Fantasy

$14.95 pb, 224 pages

ISBN: 978-1-894063-52-4

Underneath that cool Canadian reserve, a dark heart beats, believes Michael Kelly, editor of Chilling Tales: Evil Did I Dwell; Lewd I Did Live.

Chilling Tales features stories from Canadian horror fiction mainstays Brett Alexander Savory, Sandra Kasturi, and Nancy Kilpatrick, as well as some of the nation’s brightest (or should that be darkest) up and comers such as Gemma Files. Robert J. Wiersema, best known for his literary fiction, leads off the collection with a honky-tonk infused ghost story.

Kelly sensed a distinctly Canadian worldview, a “tangible loneliness” and “disquieting solitude” permeating the stories of his collection. But he feels Canadian writers are “merely doing what comes naturally—in this vast, sprawling land of ice and prairies, of wind and rock and water, of major urban centres encroaching on the barrens with spreading tendrils—exploring the other, that vastness.”

Anthologies such as Chilling Tales have been something of a rarity, although Don Hutchinson’s Northern Frights series left “an indelible impression” upon Kelly.

“There’s no easy answer,” he says, of the dearth of all-Canadian horror collections. “Part of it, I surmise, might be that Canadian genre writing is somewhat marginalized by the bigger publishing houses.”

It’s no surprise to Kelly that the two most recent such volumes were published by Chilling Tales’s publisher, Brian Hades at Edge Science Fiction and Fantasy. “It is the smaller houses with an indie spirit that will take a chance on a project like this.”

Kelly felt it was time to showcase Canada’s dark heart. There was no open call for submissions; instead he went hunting for authors that “shared that strange dark worldview” he was conjuring.

“I also mentioned that they could recommend some authors to me, as well. It was a bit of word-of-mouth and also me soliciting authors I admired.”

A writer himself, the Pickering, Ontario-based, Shirley Jackson Award-nominated Kelly enjoyed the challenge of editing the collection.

“There’s a certain order to the stories, a flow, whether you’re moving from something short and shocking, to something literary and poetic, to something prosaic. It’s a balancing act,” he says. “When I’m writing fiction, I just want to tell a story. I’m writing for me, though, no one else. When I’m editing a commercial anthology, I’m cognizant of the reader.”

The result? An eminently readable, page turning collection, tales that leap from the page, burrowing into you. It is as if the authors are kids around a campfire, each trying to one up the other with the imaginatively macabre. From ghosts, to issues of faith, to the very unusual skin condition in David Nickle’sLooker”, Chilling Tales has a velocity that keeps its reader huddled up for just one more story.

“I’m hoping this first volume will act as a benchmark for future volumes,” says Kelly. “I wanted to show that Canadian writers can be as literate, entertaining, edifying, and as scary as their contemporaries. Of course, I already knew that. Now, everyone will know.”

Chadwick Ginther is a writer and bookseller living in Winnipeg.