The 2020 Reading List: October

Since one of my writing goals for 2020 was also to read more, I thought it would help to keep track of what I knocked off Mount Tsundoku. Here’s as good a place as any to post what I’ve read in 2020 to keep me honest, and what I thought of each book immediately after finishing.

I’ve decided to be a little more systematic about my reading plans. Now I’m pulling out an actual to-read pile to stack on the nightstand. I’m limiting the stack to five books, which seems doable for the month, even though odds are I won’t get through them all each month. Occasionally comics and graphic novels or roleplaying games might jump the queue, but I’m trying to get through the pile in order I stack them. The first time I did this, I basically grabbed the first five shinys to catch my eye, but for my next stack, I plan on adding some criteria to diversify my reading a bit. My intention is for each to-read pile to contain at least one book by a BIPOC or LGBTQ2S+ author, one book by a woman, one non-fiction book, and one book by an author I know personally (I’ve accumulated a lot of these over the years, and I’ve been a bit slower to get to many of them than I’d like. Sorry, friends!).

Here’s the to-read stack for October!

You may notice there’s six books instead of my usual five, but I’ve reread A Night in the Lonesome October a chapter a night in October for the last several years, and 2020 isn’t taking that away from me. You may also notice a CZP title in there, and while I’ve severed ties with them, I purchased this before that went down and I don’t want to punish the author. David Demchuck got the rights back to the book, and I believe there’s a new edition pending, so check that one out if it intrigues, and support another author who was taken advantage of by their publisher.

Atomic Robo Volume 2: Atomic Robo and the Dogs of War by Brian Clevinger, Scott Wegener, Ronda Pattison, and Jeff Powell: Continuing my Atomic Robo reread. Most of this one takes place during World War II, but there are “B” stories included that happen throughout Robo’s career.

Atomic Robo Volume 3: Atomic Robo and the Shadow from Beyond Time by Brian Clevinger, Scott Wegener, Ronda Pattison, and Jeff Powell: Next on my Atomic Robo reread. Now there’s some cosmic horror! H.P. Lovecraft makes an appearance along with Charles Fort, but my favourite cameo belongs to Carl Sagan. Reading the “B” stories reminds me of another similarity I’ve noticed between Hellboy and Atomic Robo for me, and that is, I also vastly prefer Robo drawn by Scott Wegener. Something in the expressions just never feels right otherwise.

Atomic Robo Volume 4: Atomic Robo and Other Strangeness by Brian Clevinger, Scott Wegener, Ronda Pattison, Jeff Powell, and Lee Black: An anthology of one shots, this volume features the gloriously wacky Doctor Dinosaur! I fucking love Doctor Dinosaur.

Atomic Robo Volume 5: Atomic Robo and the Deadly Art of Science by Brian Clevinger, Scott Wegener, Ronda Pattison, Jeff Powell, and Lee Black: A tale of Robo’s early days with lots of pulp hero inspiration.

Atomic Robo Volume 6: The Ghost of Station X by Brian Clevinger, Scott Wegener, Ronda Pattison, Jeff Powell, and Lee Black: A missing building, an assassination attempt, and Alan Turing make Atomic Robo public enemy number one.

Atomic Robo Volume 7: The Flying She-Devils of the Pacific by Brian Clevinger, Scott Wegener, Ronda Pattison, Jeff Powell, and Lee Black: Another tale of Robo’s past, set in the post-WWII Pacific Theatre area. Lots of fun! I have a bunch more Atomic Robo I could read, but this was the point were I started buying it in single issues, and I don’t feel like hauling out the comic long boxes.

Leave it to Chance Book One: Shaman’s Rain by James Robinson and Paul Smith, with Jeremy Cox: I’ve loved a lot of Robinson’s work over the years and Paul Smith illustrated my all-time favourite issue of Uncanny X-Men back in the day, as well as collaborating with Robinson on The Golden Age (one of my old favourite superhero graphic novels, which will probably end up on the reread pile soonish). Lots of fun concepts that didn’t necessarily age well. I enjoyed revisiting this volume, but when I tried to continue on with Book Two, I quickly lost interest. I think I’ll be donating this part of my collection.

Saga Volume One by Brian K. Vaughan and Fiona Staples: Another graphic novel reread. I still love this series so much. Staples’ designs are as striking as ever and I love the relatively simple idea of star-crossed lovers just trying to get by in a galaxy at war. Also, rereading it, Hazel’s narration and the foreshadowing embedded within it hit so much harder. I both want, and do not want a Lying Cat of my own.

Saga Volume Two by Brian K. Vaughan and Fiona Staples: Briefly continuing my reread, as after this point I started buying the series in monthly issues, and as with Atomic Robo, didn’t feel like hauling out the long boxes.

Trick or Treat Murder by Leslie Meier: From a Halloween Murder omnibus. Cozy mysteries aren’t my typical reads, but I found I needed some lighter fare than expected this month. It was fun. Arson in small historic town leads to murder. Interesting characters, but as I was mostly in it for fun Halloween content, I likely won’t dive too deeply into the rest of the series, which is substantial.

Invincible Ultimate Collection Volume One by Robert Kirkman, Cory Walker, Ryan Ottley, and Bill Crabtree: When this book came out it quickly became one of my favourite superhero books. I also enjoy it far more than the other property Kirkman is probably better known for, The Walking Dead. Teen hero Invincible is the son of the world’s greatest hero, Omni-Man, and once his powers kick in he starts getting his feet wet in the family business. Ryan Ottley takes over art duties from co-creator and original artist Walker halfway through, and ends up being a perfect fit for the series. This volume’s shocking conclusion upends what the reader thinks the story’s dynamic will be, and reverberates throughout the rest of the series (at least as much as I’ve read). I haven’t read through it in ages, the appearance of the trailer for the upcoming animated series probably thrust it back into my mind. I still really dig this series, with one caveat, and that is the characters occasionally use “gay” or the r-word as a pejorative, in the guise of friends joking around with each other (particularly when Invincible carries a male friend while flying, which becomes a running gag). I remember both words being used that way more commonly when the series was being published, and it definitely dates the dialogue and struck me every time I encountered it going forward in my reread.

Invincible Ultimate Collection Volume Two by Robert Kirkman, Ryan Ottley, and Bill Crabtree: Another reread. Invincible deals with the fallout of the revelation of his father’s true nature, as well as graduating from high school, and ends up creating a new arch enemy.

Invincible Ultimate Collection Volume Three by Robert Kirkman, Ryan Ottley, and Bill Crabtree: Invincible discovers some unexpected family and a lot of long running subplots come to a head in this volume. Kirkman’s pacing on this series is just immaculate, and Ottley’s art is as good as ever.

Invincible Ultimate Collection Volume Four by Robert Kirkman, Ryan Ottley, and Bill Crabtree: This was the end of my Invincible collection, and so the end of my reread. Despite my minor issues with some dated dialogue, I really enjoy the world of Invincible, and I think I’ll try and track down the next volume or two, which I don’t think I ever read, and keep going with the series. The series accomplishes a lot of what I loved in Chris Claremont’s epic Uncanny X-Men run from my formative comic-reading years.

Nextwave Agents of H.A.T.E Volume One: This is What They Want by Warren Ellis and Stuart Immonen: This used to be one of my favourite series, and Warren Ellis used to be one of my favourite writers (in another life I won an award from his publisher for promoting his debut novel) but after revelations of Ellis’s toxic behavior, I didn’t want to keep his work on my shelves. I decided to give Nextwave a quick reread before it hit the donate pile, and while I’m kind of sorry to see it go (as it contains another of my favourite single comic panels, and I love the character of Elsa Bloodstone, and Ellis’s particular take on Machine Man), but also happy to have it gone. I decided not to bother with reading the second volume in the series.

Wicked Witch Murder by Leslie Meier: The second book in the Halloween Murder omnibus. Enjoyed the first enough to keep going, but I know I’m in it for the Halloween-y content, so I’m unlikely to dive much deeper into the Lucy Stone series, unless Meier has more Halloween books in her catalogue (pretty sure she does).

Clan Destine Classic by Alan Davis and Mark Farmer: Another graphic novel reread. This one has the first eight issues of the comic that Davis and Farmer worked on (the less said about what came after, the better) and a miniseries that teams up the Clan Destine with the X-Men. Davis is still hands down my favourite superhero artist. The X-Men team up didn’t hold up as well as I’d hoped though, largely because I’ve moved on from the X-Men in recent years.

The Bloody Chamber by Angela Carter: So lush. I wish the print were larger, but the small print made me take more care with Carter’s perfect sentences. Fairy tale reimaginings include Bluebeard, Beauty and the Beast. I didn’t care for Puss in Boots, the only story I didn’t love in the collection, actually. One of my issues with single author collections is that’s not how I tend to consume short stories. I read far more anthologies than collections, and stories that I find online. My other issue with this book, the print…so tiny on my aging eyes, which to be fair, is hardly Carter’s fault, but it made it difficult to digest her prose at times.

Black Canary and Zatanna: Bloodspell by Paul Dini and Joe Quinones: Another reread. Zatanna is probably my favourite character in the DC universe, and Paul Dini writes her so well. Dini was also one of my favourite writers on Batman: The Animated Series. Still fun. Dini’s voice is great for the two main characters. Quinones’ art nails facial expressions and reactions better than action moments in my opinion, but was pretty well suited to the story.

The Bone Mother by David Demchuk: Most of my experience with this collection of eastern European-inspired stories has been hearing the author read from the book at various events and conventions. This has the interesting effect of me hearing Demchuk’s voice in my head while I read the book. The Bone Mother was full of wonderful bite-sized tales of terror. Highly recommend it.

Certain Dark Things by Silvia Moreno-Garcia: A Mexican narco vampire novel. Moreno-Garcia’s a fantastic writer, and every time I’ve read one of her books, it’s ended up on my favourite books of the year list. Somehow, I was expecting something different from this one, not sure what, exactly, but I loved it in spite of my initial expectations not being met. Great characters, and a really interesting take on vampire lore. Especially loved Moreno-Garcia’s portrayal of Mexico City.

A Night in the Lonesome October by Roger Zelazny: One of my favourite books, and one I’ve reread almost every year since I finally tracked down a copy of my own (it was out of print for far too long). The novel unfolds over the month of October and each chapter covers a single day as Jack the Ripper’s faithful dog Snuff tries to help prevent the rise of the Elder Gods in a game of Openers and Closers. Sometimes I’ve read the novel all in a burst, and that was how I first consumed it (it’s a pretty quick read), but for the last several runs at the book, I’ve read it a chapter a night over the month of October, and I find that’s how I best enjoy it. Already looking forward to next October’s reread!

Zatanna the Mistress of Magic Volume One by Paul Dini, Stephane Roux, Chad Hardin, and Jesus Saiz: A reread. I have all the individual issues of this series, but I’m not sure if they were ever all collected. As I stated above, I love Dini’s take on Zatanna. Jesus Saiz delivered my favourite art of the collection, pity they were only on board for a single issue. Stephane Roux’s pencils capture the spirit of the character excellently as well.

So my reading went a little of stack this month. There was a lot going on down Thunder Road Way, and so I sought some comfort in rereading old graphic novels. When I moved I decided to limit my graphic novels to one shelf (in a past age, at their height, I had almost two full bookcases in my collection but I realized I only ever reread the same stack of them). It was good in a way, as a few things I’ve been hanging onto for years without actually enjoying them are now free to be enjoyed by other readers, and no longer cluttering my shelves, while other series have reminded me that I’ve been meaning to get caught up for ages, but didn’t because of space limitations.

Here’s what I read in January.

Here’s what I read in February.

Here’s what I read in March.

Here’s what I read in April.

Here’s what I read in May.

Here’s what I read in June.

Here’s what I read in July.

Here’s what I read in August.

Here’s what I read in September.

Prix Aurora Award Nominations

Nominations opened for the Prix Aurora Awards (and a whole mess of other awards too–though it’s the Auroras that are most likely to impact ’round Thunder Road Way) while I had my head down trying to finish my latest novel.

Instruction for how to nominate a story are available on the Canadian Science Fiction & Fantasy Association’s site. But why should you vote? Ottawa author Matt Moore wrote an excellent blog post on why we should participate in the Aurora Awards. The more people participate, and the more they care, the more these awards will matter.

If you’re so inclined, here’s what I did in 2015:

  • Too Far Gone, Ravenstone Books, October 2015, eligible in the Novel category.
  • The Last Good Look, The Exile Book of New Canadian Noir, March 2015, eligible in the Short Fiction category.
  • When the Gods Send You Rats, Shared World Volume One, October 2015, eligible in the Short Fiction category.
  • Co-Chair/Artistic Director ChiSeries Winnipeg with Samantha Beiko: “Fan Organizational” category.

Eligibility Lists are here:

I also want to mention the people that helped me create in 2015:

In addition to being my co-conspirator for the Winnipeg arm of ChiSeries, Samantha Beiko steps up every single time I give her a weird ass request, such as: I want to make story cards, or can you draw me a giant, evil cat? Even I want to put a new book together less than a month before Comic Con.

Sam did this great picture of Ted Callan for my story, “New Year’s Eve”

Ted New Year's Eve by SM Beiko

She also illustrated this super fun (and super creepy) Jólakötturinn, the Christmas Cat.

Christmas Cat by Samantha Beiko

and she edited and laid out Shared World.

Sam is awesomesauce. Check out her stuff, and her dream book store, Valkyrie Books.

GMB Chomichuk and James Gillespie also wrote a short story for Shared World. “Kaa-Rokaan.”

SharedWorldposter1

In addtion to being a great writer, Gregory is an amazing artist. His Infinitum was a wonderful, weird read. Time travel noir!

infinitum

He also illustrated Underworld, written by another Winnipeg comics mainstay, Lovern Kindzierski. Greek mythology in modern Winnipeg.

Underworld-Cover

Silvia Moreno-Garcia wrote my favourite book of 2015, her novel debut, Signal to Noise. Silvia’s knows her Lovecraft, and everyone involved in Shared World was chuffed when she agreed to write us a kickass introduction.

signal-to-noise-9781781082997_hr

Michael Matheson was my editor for Too Far Gone. Michael was new to editing the series, anddid a bang up job. I’d love to have a chance to work with Michael again. In the meantime, checkout this anthology published by ChiZine Publications:

Boy Eating

David Jón Fuller was my copy editor for Too Far Gone (and the entire Thunder Road Trilogy) and kept all my umlauts in the right spots. David is also a damn fine short story writer.

His story “Caged” appeared in Guns and Romances, and “In Open Air” appeared in Accessing the Future.

Scott Henderson did this gorgeous piece inspired by Too Far Gone.

TOOFARGONE

Scott also illustrated Richard Van Camp’s graphic novel, A Blanket of Butterflies.

Blanket of Butterflies

Claude Lalumière and David Nickle were my editors for The Exile Book of New Canadian Noir and bought my story, “The Last Good Look.”

New Canadian Noir Cover

This is a killer anthology. I enjoyed reading every story in it.

Sandra Wickham and I are currently writing a novel together. She’s also sort of taken on the Herculean task of getting me back in shape. Her book Health and Fitness for Creative People is a great start.

HealthandFitnessCoverblurb

Kevin Madison has done tons of Thunder Road illustrations for me over the course of the series’ life. Here’s one of his most recent:

Ted with Ravens

Kevin also wrote a comic last year, which was a lot of fun. Different artists illustrating various points in a superhero’s career.

american Eagle2

Here’s some other stuff I really dug throughout 2015, heavily weighted towards comics, because that seemed to be the majority of my reading lately.

I helped back Canadian Corps on Kickstarter. Andrew Lorenz’s writing definitely hit me right in the Alpha Flight feels.

CC1 Front-Exterior-Cover

Donovan Yaciuk did the colours for Canadian Corps, but he also writes this sweet indie comic:

Spacepig Hamadeus

A space-faring pig. ‘Nuff said.

Justin Shauf is the artist on Spacepig Hamadeus and Canadian Corps. He also drew me this SWEET Dr. Fate.

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Rat Queens is written by Kurtis Wiebe, and its one of the highlights of my comic pull list ever time an issue drops.

Rat Queens

I adore Fiona Staples’ art on Saga. Another book that’s never disappointed me.

Saga Staples

Jim Zub’s Wayward is another great fantasy comic.

Wayward01A-585x900-web

No matter how much I read, it still seems like it’s never enough! I feel like I’ve got a lot of cramming to do before I put in my nominations. What have you created or read that I should check out before nominations close?

Write on!

Join The Fight, Make Comics!

The first Saturday in May is fast approaching, and that means: Free Comic Book Day!

I love comics. I have for as long as I can remember. Comic books were a huge part of my developing and maintaining a love of reading as a young boy. And while I haven’t made an effort at it since I’ve been concentrating on writing prose, I have always wanted to create my own comics. Unfortunately, I’ve been hamstrung by one very unfortunate fact:

I can’t draw.

Okay, that’s not the whole truth. I’ve done a fair amount of illustration in my time, and I can do passable, posed versions of my D&D characters or superheroes. Passable, but not great. And I never bothered to learn how to draw anything else. This is a bit of a problem. Regardless of whether you’re telling your story in our world, or one of your own creation, it needs to be populated by more than people posed heroically (and stiffly) on an otherwise blank page.

Which brings me to something I forgot to mention in my C4 Lit Fest Roundup. I promised GMB Chomichuk (author of Aurora Award nominated Imagination Manifesto and Raygun Gothic graphic novels) that I would “Join the fight, make comics!” after attending his “Words to Page” workshop about turning your novel into a comic book. It’s his workshop, so I won’t go into too much detail, other than to say that it was awesome. He’s a great teacher and really knows how to engage with his audience and students.

What I will reveal about the workshop is his Step #1 for turning your novel into a comic:

Don’t Do It.

That was kind of a relief, actually. It followed my instinct that comic book adaptations of novels tend to, and I’m being generous here (and also not naming names), suck. I’ve been told by more than a few people that there are comic book elements to Thunder Road, and that it would make a great graphic novel. I take this as a compliment. I’ve read so many superhero comics that it is completely unsurprising that it has bled into my fiction. But I don’t think I would be the right person to turn my book into a comic. I like it as a book. It was designed to be a book. But mostly because comics are collaborative, and Thunder Road is mine.

Not to say that I wouldn’t be open to telling new stories in that world with characters that were co-created with an artist, but what I really want is to tell a story that needs to be a comic, whether it’s set in the Thunder Road ‘verse or not. I have tons of stories that I want to tell someday (there is always that nebulous someday). I just need to find the right story and the right artist (and to learn how to actually script a comic).

I know how important that pairing of writer and artist can be. While I will read books just for the art, or just for the writing, there is something magical in just the right mixture of art and words that makes comics so perfect for telling stories. Pairings like Matt Fraction and David Aja on HawkeyeBrian K. Vaughan and Fiona Staples on Saga, Brian Clevinger and Scott Wegener on Atomic RoboEd Brubaker and Sean Phillips on Fatale (and stretching back a great ways, to my formative years, Chris Claremont and John Byrne’s epic run on Uncanny X-Men) are current standouts for me. After reading the preview pages, I’m also anxiously awaiting the September release of Rat Queens by Kurtis J. Wiebe Meg Dejmal, and John “Roc” Upchurch.

Lately, I’ve cut down my comic pull list to just those sorts of books, the ones that speak to me on both levels. It means I have had to bail from a lot of my Marvel and DC books, as long, character defining runs seem to no longer exist in the corporate comic book world. The usual best case scenario is getting one trade paperback collection of a pairing you really like these days. I think that by sticking only with the books that I love, I’ll find the comic story that I would love to tell.

I’ll be attending C4 Comic Con this year, hanging out in Artist’s Alley selling my books (Tombstone Blues will be out by then, yay!), but I’m also hoping to meet some fine folks and talk comics, and hopefully, talk about making comics. See you there.

Write on!