The 2020 Reading List: June

Since one of my writing goals for 2020 was also to read more, I thought it would help to keep track of what I knocked off Mount Tsundoku. Here’s as good a place as any to post what I’ve read in 2020 to keep me honest, and what I thought of each book immediately after finishing.

June: 

Domino: Hotshots by Gail Simone, David Baldeón, Michael Shelfer, Jim Charalampidis: Read as single issues, not a collected trade, like last month’s War of the Realms. I initially picked up Gail Simone’s prior Domino series because of  the Baldeón cover. I’ve never been a huge fan of the character, but I hadn’t kept up with her really since her debut back in the New Mutants/X-Force days. Simone’s Birds of Prey run was tons of fun though, so I took a chance, and really dug it. (Not gonna lie, Simone using Diamondback, one of my all time fav lesser known Marvel characters didn’t hurt.) I think the Hotshots series came out around my move last year which is why it took so long to get to it. Lots of fun! The art was as kinetic as ever, even though I found Baldeón’s art more suited to the story than the pages done by Shelfer. I missed the tighter dynamic of Domino, Diamondback and Outlaw from the previous series, and the generally more personal stakes, but it was fun to see Domino interacting with Black Widow, and with some of the more cosmic elements of the Marvel universe.

Criminal: Bad Weekend by Ed Brubaker and Sean Phillips: The kickoff of the lastest run of Criminal monthly comics. Also reading these as single issues (#1-4). One sweet thing about the Criminal single issues, is each one contains a noir essay in the back. This one has some great comic convention references and a stolen original art plot. Loved it!

Criminal: Cruel Summer by Ed Brubaker and Sean Phillips: I read this volume as single issues (#5-12). Obsessed private detective, femme fatale, broken down gangster looking for a big job. Lots of noir tropes (tropes I love, to be honest) that Brubaker and Phillips make work and feel fresh. Phillips’ expressions are so fantastic.

Thor Vol. 1 God of Thunder Reborn by Jason Aaron, Mike Del Mundo, Christian Ward, and Tony Moore: I read this volume as single issues (#1-7). This takes place before the War of the Realms limited series that I read previously. Reading through this run on Thor might’ve helped my enjoyment of that series, but such is life. I preferred the issues with Mike Del Mundo’s art, as I loved his work on Weirdworld back in Marvel’s Secret Wars days, but I also loved Christian Ward’s art on Black Bolt. The Tony Moore issue was a fun flashback to the days of a young Thor, before he earned Mjolnir. Moore’s style felt more suited to a modern book like Walking Dead than a viking-era fantasy to me.

The Peripheral by William Gibson: It’s been a while since I’ve checked out anything by Gibson…Spook Country, I think. This was a great read. I don’t know what I was expecting, but it wasn’t what I got, and yet, the book felt both entirely prescient and completely reflecting its time, which is typical Gibson. Every time I read one of his books there’s a bare minimum one line that makes me put down the book and go, “Hmm. Nobody else would’ve said that this way.” Apparently Gibson’s most recent novel, Agency, is both a sequel and a prequel to this one. I’ll probably check it out down the road, when I feel up to reading anything that touches on the 2016 U.S. election.

Next on deck for the reading pile: City of Broken Magic by Mariah Bolender and A Once Crowded Sky by Tom King.

Here’s what I read in January.

Here’s what I read in February.

Here’s what I read in March.

Here’s what I read in April.

Here’s what I read in May.

The 2020 Reading List: May

Since one of my writing goals for 2020 was also to read more, I thought it would help to keep track of what I knocked off Mount Tsundoku. Here’s as good a place as any to post what I’ve read in 2020 to keep me honest, and what I thought of each book immediately after finishing.

May:

Tiny Gunslingers by Gallant Knight Games: A minimalist western game. I’ve loved all the Tiny D6 games I’ve picked up so far, even if I haven’t played them as much as I’d like. I have a plan for this one though (Sigh. I have a plan for all of them). I especially like the shootout mechanic which uses playing cards and Blackjack rules to resolve, which feels like the iaijutsu duel mechanic from early editions of Legend of the Five Rings.

Beak, Feather, & Bone by Tyler Crumrine, Austin Breed, and Jonathan Yee: This is another Kickstarter game, a ‘zine-length competitive map labeling RPG and worldbuilding tool. I’ll probably be using it more for the later than the former, but it looks great, the rules read well, and it should be a fun way to spend an evening regardless of motive for playing. Also, loved the ravenfolk art by Austin Breed.

The City We Became by N.K. Jemisin: I started this one back in March and was loving it up until about a quarter of the way through, and then the everything happened with the real world and wouldn’t let up. I set it down meaning to get back to it, and it took me a while to regain my focus–my issue, no fault with Jemisin’s writing, which was superb–but once I did pick it up again, it was a race to the finish. What a goddamned great book. I’ve never been to New York but The City We Became felt both true to the New York that I’ve seen dramatized and at the same time so much deeper. I hope I get to see the real place some day.

War of the Realms by Jason Aaron, Russell Dauterman, Matthew Wilson: I loved most of Jason Aaron’s run on Marvel’s Thor comics, but this book wasn’t to my taste. Dauterman’s art is as gorgeous as it ever was. Maybe if I’d read more of the ancillary issues tie-in issues my opinion might’ve changed, but I’m never a fan of Marvel’s big crossover events, and a book needs to stand on its own.

Forbidden Lands Player’s Guide by Free League: This was a reread. I’d missed a bunch of game sessions in a friend’s ongoing campaign, and now that I’ve been back a bit more regularly, I decided to refresh myself on the rules. Found a bunch of stuff I’d forgotten. Still love this game. A great, but deadly, hex-crawler with swift and deadly combat.

Here’s what I read in January.

Here’s what I read in February.

Here’s what I read in March.

Here’s what I read in April.

Loki’s Guide To Norse Mythology: Ted Callan

Ted Callan

Who?

Ted Callan doesn’t appear in any of the Sagas. But my protagonist certainly has roots there. One of my favourite stories growing up was the Story of Sigurd; a hero who became invulnerable–except for a spot where a leaf had landed against his body-when he bathed in dragon’s blood. I was checking this out of the library in between my obsessive readings of D’Aulaires’ Book of Norse Myths and D’Aulaires’ Book of Greek Myths.

Sigurd obviously isn’t the only influence on Ted. He carries Mjölnir; he can control the weather, so obviously Thor was also in the mix. The earliest origins of Thunder Road are in an abandoned short story–the first thing I ever set out to write when I decided I wanted to be a writer–a story about Thor and Sif living in suburban Winnipeg and Sif deciding to divorce Thor. The seeds of Ted exist in that first version of the Thunder God (there’s a very different aspect to Thor showing up in Tombstone Blues): a blue collar job, the dissolution of a long relationship, the GTO–although it was not called The Goat yet.

I always knew I’d write something influenced by Norse myth, the stories have been a part of my life for too long not to creep into my work. I didn’t have a plan for it to necessarily be Thunder Road, I just wanted to write a story about a blue collar guy who got thrust into a weird and terrible world. The first scene I wrote for Thunder Road, was where the dwarves attacked and tattooed Ted, and at the end of that scene, I wondered: “who is this guy?” and “How did he up in that hotel room?” And so I went back and wrote that. Once I put him in a GTO, it was all over, and I was hooked. Ted voice showed up almost fully formed and steamrolled his way through the rest of the book.

I didn’t just read mythology as a kid. I also grew up reading comic books. In fact, they were the first things I read on my own. Looking back, I can see echoes of DC’s Viking Prince or Marvel’s Mighty Thor and Uncanny X-Men. Thor has faced Ragnarök  several times in the comics, which was one of the reasons I decided to set Thunder Road after The Fate of the Gods, because I found what the Thor writers did when they ended the cycle to be fresh and new. X-men probably gave me a taste of the dysfunctional family dynamic that exists between Ted, Tilda and Loki. Chris Claremont’s epic run on the book was also my introduction to long-form storytelling, which is why I’m hoping that even when the Thunder Road Trilogy is done, that I can keep telling stories in this world. And besides, super powers are cool!

Loki’s Guide to Norse Mythology: Jormungandur

I’ve always loved the Midgard Serpent. Even when I admired Thor more than I did Loki.

There was something powerful about a creature that was so vast it could encircle the world that spoke to then very tiny me. Even considering I grew up in a small town, and it was a great many years before I could fathom just how vast our world was, I knew Jormungandur was big. And even now, when every I leave my little corner of the world and travel somewhere new, I am amazed by what I see.

Or…maybe I just liked Jormungandur because he was a dragon (or a sea serpent, as Loki insists to Ted in Thunder Road).

Jormungandur was fated to kill Thor, but he was also fated to be killed by Thor. There are three stories of these two enemies that are commonly told, (There’s one of those magic numbers in Norse myth!) and I love them all. In one, the giant Utgard-Loki (no relation to Loki-Loki) tricks Thor by disguising the Midgard Serpent as a cat, and challenges the god of thunder to lift the beast. Thor does manage to get one of the cat’s feet off the ground–and considering Jormungandur’s size beneath that illusion, that is an impressive feet of strength. In another of the tales, Thor goes fishing with the giant Hymir and after catching two whales and Thor remaining unsatisfied, they head deeper out into the ocean. Eventually, Thor hooks Jormungandur with a hook baited with an ox-head (the head of Hymir’s largest ox, nice guy, that Thor). Before Thor can kill Jormungandur with Mjölnir, a terrified Hymir cuts the line and the Serpent sinks back into the sea. Third, and finally, is the meeting of serpent and god at Ragnarök. Thor does manage to kill Jormungandur here, but its kind of a bitter victory. Jormungandur’s breath is poison, and Thor stumbles nine steps to his death (there’s that other magic number in Norse myth).

That should have been the end of the Midgard Serpent (and Thor) but I had other plans. Since I cheated Ragnarök and kept Loki alive, I thought Loki would have told his children how to escape their dooms as well, and in Thunder Road, Jormungandur lives on, making his primary residence in one of Manitoba’s largest lakes.

Dragons exist in pretty much every myth and culture in some form or another that I’ve ever read about. And as the vikings were a seafaring culture, I’m hardly surprised that their biggest and baddest dragon (sea serpent) lived in the ocean. The first images that I ever saw of the Midgard Serpent, like most of my first images of mythology, came from D’Aulaires’ Book of Norse Myths, followed quickly by pictures (and gaming statistics!) from the Advanced Dungeons & Dragons sourcebook, Legends and Lore. But it was Walt Simonson that drew one of the most kick ass World Serpents I’ve ever seen:

Thor380Jormungandur

(In fairness, Simonson did kick ass renditions of all of the creatures of Norse myth)

In addition to my childhood love of Norse myth, I developed an obsession with Scotland in my teen years (I blame Highlander). But in addition to wanting to run around in a kilt swinging a claymore or lochaber axe (and trying to develop a taste for scotch long before my palette was ready) I also wanted to look for the Loch Ness Monster. There were also Champy, Ogopogo and all the other lake monsters rumoured to exist throughout the world. It was a long time before I heard of Manitoba’s own resident monster, Manipogo though.

To some degree, I owe the existence of Thunder Road to Jormungandur. One of the first short stories I ever started after deciding to pursue writing seriously was one imagining that all sightings of lake monsters and sea serpents around the world, were in fact, Jormungandur. That story didn’t go anywhere, mostly because I never finished it. But there are sentences, even a paragraph or two that were lifted wholesale from that abandoned project and dropped into Thunder Road. Those words remain there, essentially unchanged. Deciding to overlap the Nine Worlds of Norse Mythology and my world, that is a debt I owe a debt to the big guy.

Next up on Loki’s Guide to Norse Mythology: An even bigger guy. The biggest, in fact. Ymir, the primordial frost giant!