The 2020 Reading List: October

Since one of my writing goals for 2020 was also to read more, I thought it would help to keep track of what I knocked off Mount Tsundoku. Here’s as good a place as any to post what I’ve read in 2020 to keep me honest, and what I thought of each book immediately after finishing.

I’ve decided to be a little more systematic about my reading plans. Now I’m pulling out an actual to-read pile to stack on the nightstand. I’m limiting the stack to five books, which seems doable for the month, even though odds are I won’t get through them all each month. Occasionally comics and graphic novels or roleplaying games might jump the queue, but I’m trying to get through the pile in order I stack them. The first time I did this, I basically grabbed the first five shinys to catch my eye, but for my next stack, I plan on adding some criteria to diversify my reading a bit. My intention is for each to-read pile to contain at least one book by a BIPOC or LGBTQ2S+ author, one book by a woman, one non-fiction book, and one book by an author I know personally (I’ve accumulated a lot of these over the years, and I’ve been a bit slower to get to many of them than I’d like. Sorry, friends!).

Here’s the to-read stack for October!

You may notice there’s six books instead of my usual five, but I’ve reread A Night in the Lonesome October a chapter a night in October for the last several years, and 2020 isn’t taking that away from me. You may also notice a CZP title in there, and while I’ve severed ties with them, I purchased this before that went down and I don’t want to punish the author. David Demchuck got the rights back to the book, and I believe there’s a new edition pending, so check that one out if it intrigues, and support another author who was taken advantage of by their publisher.

Atomic Robo Volume 2: Atomic Robo and the Dogs of War by Brian Clevinger, Scott Wegener, Ronda Pattison, and Jeff Powell: Continuing my Atomic Robo reread. Most of this one takes place during World War II, but there are “B” stories included that happen throughout Robo’s career.

Atomic Robo Volume 3: Atomic Robo and the Shadow from Beyond Time by Brian Clevinger, Scott Wegener, Ronda Pattison, and Jeff Powell: Next on my Atomic Robo reread. Now there’s some cosmic horror! H.P. Lovecraft makes an appearance along with Charles Fort, but my favourite cameo belongs to Carl Sagan. Reading the “B” stories reminds me of another similarity I’ve noticed between Hellboy and Atomic Robo for me, and that is, I also vastly prefer Robo drawn by Scott Wegener. Something in the expressions just never feels right otherwise.

Atomic Robo Volume 4: Atomic Robo and Other Strangeness by Brian Clevinger, Scott Wegener, Ronda Pattison, Jeff Powell, and Lee Black: An anthology of one shots, this volume features the gloriously wacky Doctor Dinosaur! I fucking love Doctor Dinosaur.

Atomic Robo Volume 5: Atomic Robo and the Deadly Art of Science by Brian Clevinger, Scott Wegener, Ronda Pattison, Jeff Powell, and Lee Black: A tale of Robo’s early days with lots of pulp hero inspiration.

Atomic Robo Volume 6: The Ghost of Station X by Brian Clevinger, Scott Wegener, Ronda Pattison, Jeff Powell, and Lee Black: A missing building, an assassination attempt, and Alan Turing make Atomic Robo public enemy number one.

Atomic Robo Volume 7: The Flying She-Devils of the Pacific by Brian Clevinger, Scott Wegener, Ronda Pattison, Jeff Powell, and Lee Black: Another tale of Robo’s past, set in the post-WWII Pacific Theatre area. Lots of fun! I have a bunch more Atomic Robo I could read, but this was the point were I started buying it in single issues, and I don’t feel like hauling out the comic long boxes.

Leave it to Chance Book One: Shaman’s Rain by James Robinson and Paul Smith, with Jeremy Cox: I’ve loved a lot of Robinson’s work over the years and Paul Smith illustrated my all-time favourite issue of Uncanny X-Men back in the day, as well as collaborating with Robinson on The Golden Age (one of my old favourite superhero graphic novels, which will probably end up on the reread pile soonish). Lots of fun concepts that didn’t necessarily age well. I enjoyed revisiting this volume, but when I tried to continue on with Book Two, I quickly lost interest. I think I’ll be donating this part of my collection.

Saga Volume One by Brian K. Vaughan and Fiona Staples: Another graphic novel reread. I still love this series so much. Staples’ designs are as striking as ever and I love the relatively simple idea of star-crossed lovers just trying to get by in a galaxy at war. Also, rereading it, Hazel’s narration and the foreshadowing embedded within it hit so much harder. I both want, and do not want a Lying Cat of my own.

Saga Volume Two by Brian K. Vaughan and Fiona Staples: Briefly continuing my reread, as after this point I started buying the series in monthly issues, and as with Atomic Robo, didn’t feel like hauling out the long boxes.

Trick or Treat Murder by Leslie Meier: From a Halloween Murder omnibus. Cozy mysteries aren’t my typical reads, but I found I needed some lighter fare than expected this month. It was fun. Arson in small historic town leads to murder. Interesting characters, but as I was mostly in it for fun Halloween content, I likely won’t dive too deeply into the rest of the series, which is substantial.

Invincible Ultimate Collection Volume One by Robert Kirkman, Cory Walker, Ryan Ottley, and Bill Crabtree: When this book came out it quickly became one of my favourite superhero books. I also enjoy it far more than the other property Kirkman is probably better known for, The Walking Dead. Teen hero Invincible is the son of the world’s greatest hero, Omni-Man, and once his powers kick in he starts getting his feet wet in the family business. Ryan Ottley takes over art duties from co-creator and original artist Walker halfway through, and ends up being a perfect fit for the series. This volume’s shocking conclusion upends what the reader thinks the story’s dynamic will be, and reverberates throughout the rest of the series (at least as much as I’ve read). I haven’t read through it in ages, the appearance of the trailer for the upcoming animated series probably thrust it back into my mind. I still really dig this series, with one caveat, and that is the characters occasionally use “gay” or the r-word as a pejorative, in the guise of friends joking around with each other (particularly when Invincible carries a male friend while flying, which becomes a running gag). I remember both words being used that way more commonly when the series was being published, and it definitely dates the dialogue and struck me every time I encountered it going forward in my reread.

Invincible Ultimate Collection Volume Two by Robert Kirkman, Ryan Ottley, and Bill Crabtree: Another reread. Invincible deals with the fallout of the revelation of his father’s true nature, as well as graduating from high school, and ends up creating a new arch enemy.

Invincible Ultimate Collection Volume Three by Robert Kirkman, Ryan Ottley, and Bill Crabtree: Invincible discovers some unexpected family and a lot of long running subplots come to a head in this volume. Kirkman’s pacing on this series is just immaculate, and Ottley’s art is as good as ever.

Invincible Ultimate Collection Volume Four by Robert Kirkman, Ryan Ottley, and Bill Crabtree: This was the end of my Invincible collection, and so the end of my reread. Despite my minor issues with some dated dialogue, I really enjoy the world of Invincible, and I think I’ll try and track down the next volume or two, which I don’t think I ever read, and keep going with the series. The series accomplishes a lot of what I loved in Chris Claremont’s epic Uncanny X-Men run from my formative comic-reading years.

Nextwave Agents of H.A.T.E Volume One: This is What They Want by Warren Ellis and Stuart Immonen: This used to be one of my favourite series, and Warren Ellis used to be one of my favourite writers (in another life I won an award from his publisher for promoting his debut novel) but after revelations of Ellis’s toxic behavior, I didn’t want to keep his work on my shelves. I decided to give Nextwave a quick reread before it hit the donate pile, and while I’m kind of sorry to see it go (as it contains another of my favourite single comic panels, and I love the character of Elsa Bloodstone, and Ellis’s particular take on Machine Man), but also happy to have it gone. I decided not to bother with reading the second volume in the series.

Wicked Witch Murder by Leslie Meier: The second book in the Halloween Murder omnibus. Enjoyed the first enough to keep going, but I know I’m in it for the Halloween-y content, so I’m unlikely to dive much deeper into the Lucy Stone series, unless Meier has more Halloween books in her catalogue (pretty sure she does).

Clan Destine Classic by Alan Davis and Mark Farmer: Another graphic novel reread. This one has the first eight issues of the comic that Davis and Farmer worked on (the less said about what came after, the better) and a miniseries that teams up the Clan Destine with the X-Men. Davis is still hands down my favourite superhero artist. The X-Men team up didn’t hold up as well as I’d hoped though, largely because I’ve moved on from the X-Men in recent years.

The Bloody Chamber by Angela Carter: So lush. I wish the print were larger, but the small print made me take more care with Carter’s perfect sentences. Fairy tale reimaginings include Bluebeard, Beauty and the Beast. I didn’t care for Puss in Boots, the only story I didn’t love in the collection, actually. One of my issues with single author collections is that’s not how I tend to consume short stories. I read far more anthologies than collections, and stories that I find online. My other issue with this book, the print…so tiny on my aging eyes, which to be fair, is hardly Carter’s fault, but it made it difficult to digest her prose at times.

Black Canary and Zatanna: Bloodspell by Paul Dini and Joe Quinones: Another reread. Zatanna is probably my favourite character in the DC universe, and Paul Dini writes her so well. Dini was also one of my favourite writers on Batman: The Animated Series. Still fun. Dini’s voice is great for the two main characters. Quinones’ art nails facial expressions and reactions better than action moments in my opinion, but was pretty well suited to the story.

The Bone Mother by David Demchuk: Most of my experience with this collection of eastern European-inspired stories has been hearing the author read from the book at various events and conventions. This has the interesting effect of me hearing Demchuk’s voice in my head while I read the book. The Bone Mother was full of wonderful bite-sized tales of terror. Highly recommend it.

Certain Dark Things by Silvia Moreno-Garcia: A Mexican narco vampire novel. Moreno-Garcia’s a fantastic writer, and every time I’ve read one of her books, it’s ended up on my favourite books of the year list. Somehow, I was expecting something different from this one, not sure what, exactly, but I loved it in spite of my initial expectations not being met. Great characters, and a really interesting take on vampire lore. Especially loved Moreno-Garcia’s portrayal of Mexico City.

A Night in the Lonesome October by Roger Zelazny: One of my favourite books, and one I’ve reread almost every year since I finally tracked down a copy of my own (it was out of print for far too long). The novel unfolds over the month of October and each chapter covers a single day as Jack the Ripper’s faithful dog Snuff tries to help prevent the rise of the Elder Gods in a game of Openers and Closers. Sometimes I’ve read the novel all in a burst, and that was how I first consumed it (it’s a pretty quick read), but for the last several runs at the book, I’ve read it a chapter a night over the month of October, and I find that’s how I best enjoy it. Already looking forward to next October’s reread!

Zatanna the Mistress of Magic Volume One by Paul Dini, Stephane Roux, Chad Hardin, and Jesus Saiz: A reread. I have all the individual issues of this series, but I’m not sure if they were ever all collected. As I stated above, I love Dini’s take on Zatanna. Jesus Saiz delivered my favourite art of the collection, pity they were only on board for a single issue. Stephane Roux’s pencils capture the spirit of the character excellently as well.

So my reading went a little of stack this month. There was a lot going on down Thunder Road Way, and so I sought some comfort in rereading old graphic novels. When I moved I decided to limit my graphic novels to one shelf (in a past age, at their height, I had almost two full bookcases in my collection but I realized I only ever reread the same stack of them). It was good in a way, as a few things I’ve been hanging onto for years without actually enjoying them are now free to be enjoyed by other readers, and no longer cluttering my shelves, while other series have reminded me that I’ve been meaning to get caught up for ages, but didn’t because of space limitations.

Here’s what I read in January.

Here’s what I read in February.

Here’s what I read in March.

Here’s what I read in April.

Here’s what I read in May.

Here’s what I read in June.

Here’s what I read in July.

Here’s what I read in August.

Here’s what I read in September.

Giftmas 2018: December 3rd

Edmonton has been good to me. In addition to being full of friends, and one of my favourite cities to visit, the hero of my first novel is from there, and most of my third is set there. And so I was thrilled to donate a story to Rhonda Parrish’s fundraiser in support of the Edmonton Food Bank. This year we’re trying to raise $750, which could translate into 2250 meals.

If you missed S.G. Wong’s story on December 1st, or Alexandra Seidel’s story yesterday, you can read S.G. Wong’s story here, and Alexandra Seidel’s here. You’ll find information about the other Giftmas contributors at the end of this blog.

Please read, and enjoy, and if you can, please donate to our cause. There is also a Rafflecopter giveaway full of prizes. Check them out at Rhonda’s website!

My story, The Gift that Keeps on Giving, started its life as a holiday challenge to my writing group for our December meeting many moons ago. It has since appeared on this website as a gift to my readers, but it’s been a while since I’ve shared it, so here we go again, and happy reading!

The Gift That Keeps On Giving

Nicholas stepped nimbly over the coals still smoldering within the fireplace. He had years of practice, and nary an ash clung to his polished, gleaming black boot. How do you get to Carnegie Hall? He smiled at the old joke. Practice.

But in all those years, this was something new. It was new, and that bothered him. He pulled the long parchment list from within his heavy coat. Checking it once, he didn’t like what he saw.

He checked it twice.

But there was no disputing it. This house wasn’t on his list. Nicholas shouldn’t have stopped here. There was no longer a reason for him to have stopped here. That poor little girl. He shook his head. There had been nothing he could have done. Not all wishes can be granted. He sighed ruefully. And not all pains can be soothed with toys. It had broken his heart, what she had wished for, but it just wasn’t within his power to grant.

There were no decorations in this house. No tree. No garland. No mistletoe. Framed photographs lined the mantle of the fireplace, but no stockings dangled beneath the images of a once happy family.

Nicholas turned his back on the unhappy dwelling and started back towards the chimney. A creak on the stairs stopped him in his boots. It was a soft noise, followed by the shuffle of fabric over hardwood.

A child’s slippers.

He couldn’t be seen, unless he chose to be. That was the one rule that governed, and protected him. Him, and the magic of Christmas both.

“Santa,” a weak voice rasped from the stairs.

It was a rule he often broke.

“Yes, my child,” Nicholas answered as he turned; ready to flash the hundred watt smile that would bring a rosy cheeked, dimpled grin to the girl’s face. Perhaps the list was mistaken?

The smile died as he saw her, now practically on top of him. She’d crossed the intervening distance between them in a flash. Her breath, coppery and rank, wafted over him, and her grip upon his mittened hand was too firm to shake.

“You didn’t bring me what I asked for last year,” she said petulantly as she pressed her tongue to an oversized canine. A bead of black blood welled up slowly from the small wound. “But someone did.”

Nicholas screamed as she jerked his head down by his snowy white beard. Blood sprayed across the girl’s little face.

His blood.

She lapped at the arterial spray, like an animal. Her face was a vision of ecstasy. His eyes stopped focusing as she whispered in his ear.

“Now every child in the whole world will get my wish.”

*

Later, in every house that still believed in such things—and there were many—children left out plates of homemade cookies, and tumblers of milk, beading with condensation. Wherever they had succumbed to slumber a voice whispered through teeth that glinted like knives, and a stained rusty beard.

“I never drink…milk.”

Art by S.M. Beiko.

The next post can be found on Michael Tager’s site, here.

Check out the rest of the participants, and when to expect them below. If you enjoyed my story and want to support #Giftmas2018 please share this story, and those of my fellow authors.

Not Music Monday: “Bloodletting (The Vampire Song)” By Concrete Blonde

It took me longer than it should’ve to encounter this song, moslty because I hated that “Joey” song which was everywhere, but man, this one holds up.

Let’s be vampires. Who’s with me?

There’s a crack in the mirror
And a bloodstain on the bed –
There’s a crack in the mirror
And a bloodstain on the bed –
O you were a vampire and baby
I’m walking dead

Write on.

An Interview With Silvia Moreno-Garcia

Silvia Moreno-Garcia bought one of my short stories for the Fungi anthology she edited with Orrin Grey, and so it was an absolute pleasure to meet her at Keycon 30. I’m very excited about her latest project, Young Blood, a YA vampire novel set in Mexico. She’s currently crowdfunding the book on Indiegogo. I hope you’ll consider donating, there’s still ten days left to make this book happen and I really want to read it.

CG: Young Blood started out as a short story. Why did you decide to expand it into a novel?

SMG: I worked on two previous novels that didn’t pan out and I wanted to try something different, something that was short and had more clear-cut fantastic elements. I decided “A Puddle of Blood” could be extended and work as a YA, and it had been well received, so it seemed like a natural fit and I didn’t think there was anything like it around, so it might have some potential to attract readers.

CG: What appeals to you most about vampires as a monster in general, and your vampires in particular?

SMG: I think vampires are creepy fuckers. Nowadays they are popular romantic heroes, but if you look at legends and folklore, they are scary things. Emblems of the plague. You watch Nosferatu, the black and white version or the colour remake, and even though the vampire seems to desire the leading lady, it is NOT the kind of relationship you’d like to be in. It is deadly. Nosferatu is a horrid-looking thing. Those vampires appeal to me more than the romantic ones.

Even with the romantic ones, there are details that are ignored which I find disturbing. Why would a 100 year-old creature want to spend his life in high school, meeting teenagers? There’s a disturbing thing there. Predator double time.

As for my vampires, Atl is inspired by Caribbean and Latin American folklore. I like having a vampire that is a bit different and isn’t romantic. Some of the other vampires in the book take after European vampires, but they are not romantic, either. It was fun having these creatures going around Mexico City and fighting each other.

CG: Why do you feel it’s important to set fiction outside of the big US cities where we commonly see it?

SMG: I just think it’s odd that everything happens in the US. Every single time an alien ship it lands it’s in New York or Washington. Let’s shuffle it around, no? Also, the reactions of the people in a different cultural setting can be very interesting. If you have aliens walking through the slums of Mexico, I think you’d get a very different reaction. I imagine that if they tried to make it into Tepito, a famous low-class, tough neighborhoud (since the time of the Aztecs), they’d come out dead. There are many untapped possibilities when you go for someone who is not the usual protagonist or you transport the action to a setting you normally don’t see.

That’s why Domingo collects garbage. I wanted to have a protagonist who was not upper class or white or emo. Someone who isn’t heroic in the oh-you-are-the-chosen-one kind of way, but still has street smarts and is brave in his own way. And I wanted to put him against Atl, who is older, more sophisticated, more sure of herself, so that we don’t have the older suave male and the younger naive woman.

CG: I’ve only read the sample chapters so far, but I love your portrayal of Mexico City. How did you capture its flavour?

SMG: Thanks. Mexico City is an awesome city. It’s huge. You can find anything in the world there. It’s also ugly as hell. It’s also beautiful. You can walk into 18th century houses and brand new highrises. It’s a labyrinth. It’s a great monster. I love and hate it. I hope some of those feelings come through in the text: what it’s like taking the subway, walking through some of the streets and the like.

CG: What was the most interesting piece of research you found while working on Young Blood?

SMG: I read a lot about the current crime troubles in Mexico, the narco stuff. It’s quite disturbing. If you think fiction is bad, try browsing through some newspaper articles. In a way, writing about these kind of crimes is a bit cathartic because it’s just so freaking scary knowing what’s going on in the place where I was born. I can process the horrors better this way, if it makes any sense.

Anyway, the most interesting factoid is how the narco system began. It started in the 1940s. Farmers in Sinaloa started growing opium poppies. The government of the United States needed an alternate supply of morphine during World War II. They couldn’t get it from Asia due to the war. So they encouraged farmers to grow it for them. They planted the seeds of the cartels. Though the United States loves to talk about the War on Drugs, they got us started on this path.

CG: Do you have any further plans for Atl, Domingo, and Rodrigo if Young Blood gets funded?

SMG: I don’t like doing multi-series books, so this will be the end of them. Unless someone wants a graphic novel. Then GMB Chomichuk can draw it.

CG: I’d definitely buy that! Thanks, Silvia, and good luck with Young Blood!

You can read Chapter 1, 2, and 3 on Silvia’s website. Here’s the trailer for Young Blood:

Mexican by birth, Canadian by inclination. Silvia lives in beautiful British Columbia with her family and two cats. She writes speculative fiction (from magic realism to horror). Her short stories have appeared in places such as Fantasy Magazine, The Book of Cthulhu, Imaginarium 2012The Best Canadian Speculative Writing and Shine: An Anthology of Optimistic Science Fiction. Her first collection, This Strange Way of Dying, is out in 2013.

Silvia is the publisher of Innsmouth Free Press, a Canadian micro-publishing venture specializing in horror and dark speculative fiction. The Innsmouth Free Press website features daily non-fiction and tri-annual fiction issues. Innsmouth Free Press publishes several  high-quality anthologies and novels during the year.

She has co-edited the anthologies Historical LovecraftFuture LovecraftCandle in the Attic Windowand Fungi. The upcoming Dead North will be the first anthology she edited solo.

In 2011, Silvia won the Carter V. Cooper Memorial Prize (in the Emerging Writer category), sponsored by Gloria Vanderbilt and Exile Quarterly. She was also a finalist for the Manchester Fiction Prize.

To contact Silvia e-mail her at silvia AT silviamoreno-garcia DOT com. You can also find her on Twitterand Google+.